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oapen-20.500.12657-25078
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oapen-20.500.12657-250782021-11-10T07:52:53Z The Cinema of Marguerite Duras Royer, Michelle Media & Communications Cinema Duras Female Marguerite Duras Marguerite Multisensoriality Royer Subjectivity Michelle Royer BISACPER004030 BISACPER004040 BISACPHI001000 BISACSOC010000 BICAPFA BICAPFB BICAPFN BICHPN BICJFSJ1 bic Book Industry Communication::1 Geographical Qualifiers::1D Europe::1DD Western Continental Europe::1DDF France The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras’ films, and how they relate to her female-centred perspective. 2019-05-30 23:55 2020-03-24 03:00:26 2020-04-01T10:20:53Z 2020-04-01T10:20:53Z 2019-05-03 book 1005016 OCN: 1126117663 9781474427869;9781474427876 http://library.oapen.org/handle/20.500.12657/25078 eng application/pdf n/a 1005016.pdf https://edinburghuniversitypress.com/book-the-cinema-of-marguerite-duras.html Edinburgh University Press 104803 2a191404-86cd-479e-afc8-ff2b8d611a94 b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9781474427869;9781474427876 Knowledge Unlatched (KU) Edinburgh, UK 104803 KU Open Services Knowledge Unlatched open access
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OAPEN
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DSpace
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| language |
English
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| description |
The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras’ films, and how they relate to her female-centred perspective.
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| title |
1005016.pdf
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| spellingShingle |
1005016.pdf
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| title_short |
1005016.pdf
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| title_full |
1005016.pdf
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| title_fullStr |
1005016.pdf
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| title_full_unstemmed |
1005016.pdf
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| title_sort |
1005016.pdf
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| publisher |
Edinburgh University Press
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| publishDate |
2019
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| url |
https://edinburghuniversitypress.com/book-the-cinema-of-marguerite-duras.html
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1771297419534794752
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