1004869.pdf
Molière, often considered the ‘godfather of Arab theatre’, was first introduced to the Arab world in 1847 by Marun Naqqaš and his adaptation of The Miser. Since then, Molière has never ceased to influence Arab dramaturgy. Discussing a series of plays by authors from Lebanon, Egypt, Tunisia and Moroc...
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oapen-20.500.12657-252252021-11-10T07:57:03Z Molière et le théâtre arabe Langone, Angela Daiana Ette, Ottmar Modern Languages and Linguistics arab theater Molière arabic world bic Book Industry Communication::D Literature & literary studies::DD Plays, playscripts Molière, often considered the ‘godfather of Arab theatre’, was first introduced to the Arab world in 1847 by Marun Naqqaš and his adaptation of The Miser. Since then, Molière has never ceased to influence Arab dramaturgy. Discussing a series of plays by authors from Lebanon, Egypt, Tunisia and Morocco, this study aims at defining Molière’s role in the development of a national Arab theatre. 2019-04-24 23:55 2020-03-21 03:00:29 2020-04-01T10:31:03Z 2020-04-01T10:31:03Z 2016-01-15 book 1004869 OCN: 1100533994 9783110436846;9783110434453 http://library.oapen.org/handle/20.500.12657/25225 fre application/pdf n/a 1004869.pdf De Gruyter 104789 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9783110436846;9783110434453 Knowledge Unlatched (KU) Berlin/Boston 104789 KU Romance Studies Knowledge Unlatched open access |
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Molière, often considered the ‘godfather of Arab theatre’, was first introduced to the Arab world in 1847 by Marun Naqqaš and his adaptation of The Miser. Since then, Molière has never ceased to influence Arab dramaturgy. Discussing a series of plays by authors from Lebanon, Egypt, Tunisia and Morocco, this study aims at defining Molière’s role in the development of a national Arab theatre. |
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2019 |
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