978-1-928396-70-3 Voices from SA.pdf

This volume captures the status of digital humanities within the Arts in South Africa. The primary research methodology falls within the broader tradition of phenomenological hermeneutics, with a specific emphasis on visual hermeneutics. Some of the tools utilised as part of the visual hermeneutic m...

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Γλώσσα:English
Έκδοση: AOSIS 2019
Διαθέσιμο Online:https://books.aosis.co.za/index.php/ob/catalog/book/79
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spelling oapen-20.500.12657-253102022-04-26T12:40:10Z Voices from the South du Preez, Amanda Digital Humanities Leadership persona social media art museums Bloomsday images SmartCity Google Trends bic Book Industry Communication::A The arts::AF Art forms bic Book Industry Communication::H Humanities bic Book Industry Communication::U Computing & information technology::UD Digital lifestyle This volume captures the status of digital humanities within the Arts in South Africa. The primary research methodology falls within the broader tradition of phenomenological hermeneutics, with a specific emphasis on visual hermeneutics. Some of the tools utilised as part of the visual hermeneutic methods are geographic information system (GIS) mapping, sensory ethnography and narrative pathways. Digital humanities is positioned here as the necessary engagement of the humanities with the pervasive digital culture of the 21st century. It is posited that the humanities and arts, in particular, have an essential role to play in unlocking meaning from scientific, technological and data-driven research. The critical engagement with digital humanities is foregrounded throughout the volume, as this crucial engagement works through images. Images (as understood within image studies) are not merely another form of text but always more than text. As such, this book is the first of its kind in the South African scholarly landscape, and notably also a first on the African continent. Its targeted audience include both scholars within the humanities, particularly in the arts and social sciences. Researchers pursuing the new field of digital humanities may also find the ideas presented in this book significant. Several of the chapters analyse the question of dealing with digital humanities through representations of the self as viewed from the Global South. However, it should be noted that self-representation is not the only area covered in this volume. The latter chapters of the book discuss innovative ways of implementing digital humanities strategies and methodologies for teaching and researching in South Africa. 2019-04-09 09:35:42 2020-04-01T10:33:49Z 2020-04-01T10:33:49Z 2018 book 1004789 OCN: 1100490441 9781928396703 http://library.oapen.org/handle/20.500.12657/25310 eng application/pdf n/a 978-1-928396-70-3 Voices from SA.pdf https://books.aosis.co.za/index.php/ob/catalog/book/79 AOSIS 10.4102/aosis.2018.BK79 10.4102/aosis.2018.BK79 d7387d49-5f5c-4cd8-8640-ed0a752627b7 9781928396703 292 Durbanville open access
institution OAPEN
collection DSpace
language English
description This volume captures the status of digital humanities within the Arts in South Africa. The primary research methodology falls within the broader tradition of phenomenological hermeneutics, with a specific emphasis on visual hermeneutics. Some of the tools utilised as part of the visual hermeneutic methods are geographic information system (GIS) mapping, sensory ethnography and narrative pathways. Digital humanities is positioned here as the necessary engagement of the humanities with the pervasive digital culture of the 21st century. It is posited that the humanities and arts, in particular, have an essential role to play in unlocking meaning from scientific, technological and data-driven research. The critical engagement with digital humanities is foregrounded throughout the volume, as this crucial engagement works through images. Images (as understood within image studies) are not merely another form of text but always more than text. As such, this book is the first of its kind in the South African scholarly landscape, and notably also a first on the African continent. Its targeted audience include both scholars within the humanities, particularly in the arts and social sciences. Researchers pursuing the new field of digital humanities may also find the ideas presented in this book significant. Several of the chapters analyse the question of dealing with digital humanities through representations of the self as viewed from the Global South. However, it should be noted that self-representation is not the only area covered in this volume. The latter chapters of the book discuss innovative ways of implementing digital humanities strategies and methodologies for teaching and researching in South Africa.
title 978-1-928396-70-3 Voices from SA.pdf
spellingShingle 978-1-928396-70-3 Voices from SA.pdf
title_short 978-1-928396-70-3 Voices from SA.pdf
title_full 978-1-928396-70-3 Voices from SA.pdf
title_fullStr 978-1-928396-70-3 Voices from SA.pdf
title_full_unstemmed 978-1-928396-70-3 Voices from SA.pdf
title_sort 978-1-928396-70-3 voices from sa.pdf
publisher AOSIS
publishDate 2019
url https://books.aosis.co.za/index.php/ob/catalog/book/79
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