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oapen-20.500.12657-253582021-11-10T08:09:48Z Because of You Iliopoulou, Evgenia Second Person Narratology Theory of Literature Pronouns Literature Language General Literature Studies German Literature French Literature Literary Studies bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSB Literary studies: general Second-person storytelling is a continually present and diverse technique in the history of literature that appears only once in the oeuvre of an author. Based on key narratives of the post-war period, Evgenia Iliopoulou approaches the phenomenon in an inductive way, starting out from the essentials of grammar and rhetoric, and aims to improve the general understanding of second-person narrative within literature. In its various forms and typologies, the second person amplifies and expands the limits of representation, thus remaining a narrative enigma: a small narrative gesture – with major narrative impact. 2019-11-11 17:24:37 2020-04-01T10:35:25Z 2020-04-01T10:35:25Z 2019 book 1004738 OCN: 1100490018 9783837645378 http://library.oapen.org/handle/20.500.12657/25358 eng Lettre application/pdf n/a 9783839445372.pdf transcript Verlag 10.14361/9783839445372 10.14361/9783839445372 b30a6210-768f-42e6-bb84-0e6306590b5c 07f61e34-5b96-49f0-9860-c87dd8228f26 9783837645378 Swiss National Science Foundation (SNF) 256 Bielefeld, Germany 10BP12_184554 Open Access Books Because of You: Understanding Second Person Storytelling Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung Swiss National Science Foundation open access
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Second-person storytelling is a continually present and diverse technique in the history of literature that appears only once in the oeuvre of an author. Based on key narratives of the post-war period, Evgenia Iliopoulou approaches the phenomenon in an inductive way, starting out from the essentials of grammar and rhetoric, and aims to improve the general understanding of second-person narrative within literature. In its various forms and typologies, the second person amplifies and expands the limits of representation, thus remaining a narrative enigma: a small narrative gesture – with major narrative impact.
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