1004693.pdf
Writing Art is an attempt to respond to the possibilities of art, the potentialities in art, to the possible event that art is. Keeping in mind that events are always already potentially beyond us, are quite possibly unknown, unknowable. In this book, Jeremy Fernando meditates on art through a respo...
| Γλώσσα: | ita English |
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| Έκδοση: |
punctum books
2019
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oapen-20.500.12657-25402 |
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oapen-20.500.12657-254022022-07-21T07:51:42Z Writing Art Fernando, Jeremy De Francesco, Alessandro literary theory bic Book Industry Communication::A The arts::AB The arts: general issues::ABA Theory of art Writing Art is an attempt to respond to the possibilities of art, the potentialities in art, to the possible event that art is. Keeping in mind that events are always already potentially beyond us, are quite possibly unknown, unknowable. In this book, Jeremy Fernando meditates on art through a response to specifics works, to the specificity of the craft, tekhnē, of each work; offering a reading of specific works of photography (Photovoice sg), poetry (Tammy Ho Lai-Ming), installation art (Charles Lim), film (Tan Chui Mui), conceptual art (ZXEROKOOL), and charcoal drawings (Yanyun Chen). Through writing. For, to write is always also to scribble, to scratch, tear, quite possibly open — and perhaps more importantly, to open the possibility of a relation with another, to the unknowability that is the other. At the risk that this writing causes one to writhe, to be torn, to cry out; even if the very one is himself. 2019-03-26 23:55 2020-01-23 14:09:07 2020-04-01T10:37:58Z 2020-04-01T10:37:58Z 2015 book 1004693 OCN: 1100533240 9789491914058 http://library.oapen.org/handle/20.500.12657/25402 ita eng application/pdf n/a 1004693.pdf punctum books Uitgeverij 10.21983/P3.0228.1.00 10.21983/P3.0228.1.00 979dc044-00ee-4ea2-affc-b08c5bd42d13 9789491914058 ScholarLed Uitgeverij 124 Brooklyn, NY open access |
| institution |
OAPEN |
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| language |
ita English |
| description |
Writing Art is an attempt to respond to the possibilities of art, the potentialities in art, to the possible event that art is. Keeping in mind that events are always already potentially beyond us, are quite possibly unknown, unknowable. In this book, Jeremy Fernando meditates on art through a response to specifics works, to the specificity of the craft, tekhnē, of each work; offering a reading of specific works of photography (Photovoice sg), poetry (Tammy Ho Lai-Ming), installation art (Charles Lim), film (Tan Chui Mui), conceptual art (ZXEROKOOL), and charcoal drawings (Yanyun Chen). Through writing. For, to write is always also to scribble, to scratch, tear, quite possibly open — and perhaps more importantly, to open the possibility of a relation with another, to the unknowability that is the other. At the risk that this writing causes one to writhe, to be torn, to cry out; even if the very one is himself. |
| title |
1004693.pdf |
| spellingShingle |
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| title_full |
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| title_full_unstemmed |
1004693.pdf |
| title_sort |
1004693.pdf |
| publisher |
punctum books |
| publishDate |
2019 |
| _version_ |
1771297437186523136 |
