1004607.pdf

In 1991, Snežana Žabić lost her homeland and most of her family’s book and record collection during the Yugoslav Wars that had been sparked by Slobodan Milošević’s relentless pursuit of power. She became a teenage refugee, forced to flee Croatia and the atrocities of war that had leveled her hometow...

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Γλώσσα:English
Έκδοση: punctum books 2019
id oapen-20.500.12657-25488
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spelling oapen-20.500.12657-254882022-07-21T14:39:50Z Broken Records Žabić, Snežana memoir fiction discography Yugoslav Wars bic Book Industry Communication::B Biography & True Stories::BM Memoirs In 1991, Snežana Žabić lost her homeland and most of her family’s book and record collection during the Yugoslav Wars that had been sparked by Slobodan Milošević’s relentless pursuit of power. She became a teenage refugee, forced to flee Croatia and the atrocities of war that had leveled her hometown of Vukovar. She and her family remained refugees in Serbia until NATO bombed Belgrade in 1999. After witnessing the first nights of NATO’s bombing, Žabić took flight again. She moved from country to country, city to city, finally settling in Chicago. She realized — reluctantly, because she didn’t want to relive the past — that she had to write about what had happened, what she had left behind, and what she had lost. Broken Records is the story of this loss, told with unflinching honesty, free of sentimentality or sensationalism. For the very first time, we learn how it felt to be first a regular teenager during the breakup of Yugoslavia and the ensuing wars, and then a 30-something adult, perennially troubled by one’s uprooted existence. Broken Records is not a neat narrative but a bit of everything — part bildungsroman, part memoir, part political poetry, part personal pop culture compendium. And while Žabić represents a Yugoslav diasporan subject, her book also belongs to an international generation whose formative years straddle the Cold War and the global reconfiguration of wealth and power, whose lives were spent shifting from the vinyl/analog era to the cyber/digital era. This generation knows that when they were told about history ending, they were told a lie.. 2019-03-26 23:55 2020-01-23 14:09:07 2020-04-01T10:41:06Z 2020-04-01T10:41:06Z 2016 book 1004607 OCN: 1048184332 9780615949468 http://library.oapen.org/handle/20.500.12657/25488 eng application/pdf Attribution-NonCommercial-ShareAlike 4.0 International 1004607.pdf punctum books 10.21983/P3.0137.1.00 10.21983/P3.0137.1.00 979dc044-00ee-4ea2-affc-b08c5bd42d13 9780615949468 ScholarLed 192 Brooklyn, NY open access
institution OAPEN
collection DSpace
language English
description In 1991, Snežana Žabić lost her homeland and most of her family’s book and record collection during the Yugoslav Wars that had been sparked by Slobodan Milošević’s relentless pursuit of power. She became a teenage refugee, forced to flee Croatia and the atrocities of war that had leveled her hometown of Vukovar. She and her family remained refugees in Serbia until NATO bombed Belgrade in 1999. After witnessing the first nights of NATO’s bombing, Žabić took flight again. She moved from country to country, city to city, finally settling in Chicago. She realized — reluctantly, because she didn’t want to relive the past — that she had to write about what had happened, what she had left behind, and what she had lost. Broken Records is the story of this loss, told with unflinching honesty, free of sentimentality or sensationalism. For the very first time, we learn how it felt to be first a regular teenager during the breakup of Yugoslavia and the ensuing wars, and then a 30-something adult, perennially troubled by one’s uprooted existence. Broken Records is not a neat narrative but a bit of everything — part bildungsroman, part memoir, part political poetry, part personal pop culture compendium. And while Žabić represents a Yugoslav diasporan subject, her book also belongs to an international generation whose formative years straddle the Cold War and the global reconfiguration of wealth and power, whose lives were spent shifting from the vinyl/analog era to the cyber/digital era. This generation knows that when they were told about history ending, they were told a lie..
title 1004607.pdf
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title_sort 1004607.pdf
publisher punctum books
publishDate 2019
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