1004502.pdf
Where is the film analysis today? What are you doing, in the dark, the theory of cinema? This field, as it has been professionally defined (at least in the Anglo-American academic world), is currently divided between historians interested in the social context that examine the great formations of mo...
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punctum books
2019
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oapen-20.500.12657-255932022-07-21T07:50:16Z Último día cada día: Y otro escrito sobre cine y filosofía Martin, Adrian Álvarez López, Cristina film studies Eric Auerbach Siegfried Kracauer Nicole Brenez Douglas Sirk bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism Where is the film analysis today? What are you doing, in the dark, the theory of cinema? This field, as it has been professionally defined (at least in the Anglo-American academic world), is currently divided between historians interested in the social context that examine the great formations of modernity, and experts in the style that They demand the return of outmoded things such as authorial vision, tone, and staging. But there are also other currents, vital and inventive, of which we are hardly hearing anything in any of the official channels. Last day each day , which for this edition has been extended with the essay “Avatars of the meeting”, shines a light on one of these new and exciting ways. 2019-03-26 23:55 2020-01-23 14:09:07 2020-04-01T10:44:16Z 2020-04-01T10:44:16Z 2013 book 1004502 OCN: 1100536163 9780615766010 http://library.oapen.org/handle/20.500.12657/25593 spa eng application/pdf n/a 1004502.pdf punctum books 10.21983/P3.0022.1.00 10.21983/P3.0022.1.00 979dc044-00ee-4ea2-affc-b08c5bd42d13 9780615766010 ScholarLed 66 Brooklyn, NY open access |
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spa English |
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Where is the film analysis today? What are you doing, in the dark, the theory of cinema? This field, as it has been professionally defined (at least in the Anglo-American academic world), is currently divided between historians interested in the social context that examine the great formations of modernity, and experts in the style that They demand the return of outmoded things such as authorial vision, tone, and staging. But there are also other currents, vital and inventive, of which we are hardly hearing anything in any of the official channels. Last day each day , which for this edition has been extended with the essay “Avatars of the meeting”, shines a light on one of these new and exciting ways. |
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punctum books |
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2019 |
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1771297505068187648 |