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oapen-20.500.12657-257682022-11-09T08:57:37Z Women's Experimental Cinema Blaetz, Robin Media & Communications Film Avant-garde Women Feminist Filmmaker bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFK Feminism & feminist theory Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde. 2019-03-08 23:55 2020-03-10 03:00:36 2020-04-01T10:48:48Z 2020-04-01T10:48:48Z 2007-10-01 book 1004320 OCN: 823850666 9780822392088 http://library.oapen.org/handle/20.500.12657/25768 eng application/pdf n/a 1004320.pdf Duke University Press 10.1215/9780822392088 102084 10.1215/9780822392088 f0d6aaef-4159-4e01-b1ea-a7145b2ab14b b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9780822392088 Knowledge Unlatched (KU) Durham, NC 102084 KU Select 2018: HSS Backlist Books Knowledge Unlatched open access
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Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde.
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