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oapen-20.500.12657-257862022-12-02T02:13:30Z Dylan's Autobiography of a Vocation Renza, Louis A. Literature Bob Dylan Song Lyric Interpretation Autobiography Folk Blues Rock'n Roll bic Book Industry Communication::A The arts::AV Music::AVG Music: styles & genres::AVGH Folk & traditional music Many critics have interpreted Bob Dylan’s lyrics, especially those composed during the middle to late 1960s, in the contexts of their relation to American folk, blues, and rock ‘n’ roll precedents; their discographical details and concert performances; their social, political and cultural relevance; and/or their status for discussion as “poems.” Dylan's Autobiography of a Vocation instead focuses on how all of Dylan’s 1965-1967 songs manifest traces of his ongoing, internal “autobiography” in which he continually declares and questions his relation to a self-determined existential summons. 2019-03-08 23:55 2020-03-14 03:00:35 2020-04-01T10:49:24Z 2020-04-01T10:49:24Z 2017 book 1004303 OCN: 1100519359 9781501328527, 9781501352010 http://library.oapen.org/handle/20.500.12657/25786 eng application/pdf application/epub+zip Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International 9781501328541.pdf 9781501328534.epub Bloomsbury Academic 10.5040/9781501328558 102549 10.5040/9781501328558 066d8288-86e4-4745-ad2c-4fa54a6b9b7b b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9781501328527, 9781501352010 Knowledge Unlatched (KU) New York 102549 KU Select 2018: HSS Backlist Books Knowledge Unlatched open access
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Many critics have interpreted Bob Dylan’s lyrics, especially those composed during the middle to late 1960s, in the contexts of their relation to American folk, blues, and rock ‘n’ roll precedents; their discographical details and concert performances; their social, political and cultural relevance; and/or their status for discussion as “poems.” Dylan's Autobiography of a Vocation instead focuses on how all of Dylan’s 1965-1967 songs manifest traces of his ongoing, internal “autobiography” in which he continually declares and questions his relation to a self-determined existential summons.
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