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oapen-20.500.12657-25920
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oapen-20.500.12657-259202021-11-09T09:05:13Z Rhythms of the Afro-Atlantic World Diouf, Mamadou Nwankwo, Ifeoma Kiddoe Music Go Go music black popular culture Caribbean music salsa Afro-Cuban music Haitian culture African hip hop Along with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic peoples have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic---Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others---highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures. 2019-02-06 23:55 2020-03-12 03:00:33 2020-04-01T10:54:48Z 2020-04-01T10:54:48Z 2010-11-03 book 1004160 OCN: 728836842 9780472901203;9780472901203 http://library.oapen.org/handle/20.500.12657/25920 eng application/pdf n/a 1004160.pdf University of Michigan Press https://doi.org/10.3998/mpub.317074 102035 https://doi.org/10.3998/mpub.317074 e07ce9b5-7a46-4096-8f0c-bc1920e3d889 b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9780472901203;9780472901203 Knowledge Unlatched (KU) Ann Arbor 102035 KU Select 2018: HSS Backlist Books Knowledge Unlatched open access
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OAPEN
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DSpace
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| language |
English
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| description |
Along with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic peoples have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic---Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others---highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures.
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1004160.pdf
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1004160.pdf
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1004160.pdf
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| title_full |
1004160.pdf
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1004160.pdf
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1004160.pdf
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1004160.pdf
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| publisher |
University of Michigan Press
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| publishDate |
2019
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| _version_ |
1771297495875321856
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