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oapen-20.500.12657-259252021-11-08T10:17:38Z Bytes and Backbeats Savage, Steve Music rock music musicology recording recording technology technoculture popular music studies From Attali's "cold social silence" to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. In Bytes and Backbeats, however, Steve Savage deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of "repurposing" as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing "art" and a self-conscious "artifice" reflects and feeds into our evolving notions of creativity, authenticity, and community. 2019-02-06 23:55 2020-03-12 03:00:32 2020-04-01T10:54:56Z 2020-04-01T10:54:56Z 2011-09-26 book 1004155 OCN: 824105135 9780472901180;9780472901180 http://library.oapen.org/handle/20.500.12657/25925 eng application/pdf n/a 1004155.pdf University of Michigan Press 10.3998/mpub.3432847 102012 10.3998/mpub.3432847 e07ce9b5-7a46-4096-8f0c-bc1920e3d889 b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9780472901180;9780472901180 Knowledge Unlatched (KU) Ann Arbor 102012 KU Select 2018: HSS Backlist Books Knowledge Unlatched open access
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OAPEN
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DSpace
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| language |
English
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| description |
From Attali's "cold social silence" to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. In Bytes and Backbeats, however, Steve Savage deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of "repurposing" as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing "art" and a self-conscious "artifice" reflects and feeds into our evolving notions of creativity, authenticity, and community.
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1004155.pdf
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1004155.pdf
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1004155.pdf
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| title_full |
1004155.pdf
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| title_fullStr |
1004155.pdf
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| title_full_unstemmed |
1004155.pdf
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1004155.pdf
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| publisher |
University of Michigan Press
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| publishDate |
2019
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| _version_ |
1771297382959415296
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