1004128.pdf

Music has long played a role in American presidential campaigns as a mode of both expressing candidates’ messages and criticizing the opposition. The 2016 campaign was no exception and was a game changer. The ten chapters in this collection place music use in 2016 in historical perspective before ex...

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Γλώσσα:English
Έκδοση: University of North Texas Press 2019
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spelling oapen-20.500.12657-259542021-11-10T07:56:42Z You Shook Me All Campaign Long Kasper, Eric T. Schoening, Benjamin S. Music Political Science Music Music has long played a role in American presidential campaigns as a mode of both expressing candidates’ messages and criticizing the opposition. The 2016 campaign was no exception and was a game changer. The ten chapters in this collection place music use in 2016 in historical perspective before examining musical messaging, strategy, and parody. The book ultimately explores causality: how do music and musicians affect presidential elections, and how do politicians and campaigns affect music and musicians? The authors explain this interaction from various perspectives, with methodological approaches from several fields, including political science, legal studies, musicology, cultural studies, rhetorical studies, and communications and journalism. “The cumulative effect of the authors’ expertise on campaign music makes this book a tour-de-force.”—Nancy S. Love, author of Musical Democracy 2019-05-08 03:00:50 2020-04-01T10:55:41Z 2020-04-01T10:55:41Z 2018-11-15 book 1004128 OCN: 1100526260 9781574417456;9781574417456 http://library.oapen.org/handle/20.500.12657/25954 eng application/pdf n/a 1004128.pdf University of North Texas Press 102316 da87c8b8-d41f-4653-b168-080688995f85 b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9781574417456;9781574417456 Knowledge Unlatched (KU) 102316 KU Select 2018: HSS Frontlist Books Knowledge Unlatched open access
institution OAPEN
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language English
description Music has long played a role in American presidential campaigns as a mode of both expressing candidates’ messages and criticizing the opposition. The 2016 campaign was no exception and was a game changer. The ten chapters in this collection place music use in 2016 in historical perspective before examining musical messaging, strategy, and parody. The book ultimately explores causality: how do music and musicians affect presidential elections, and how do politicians and campaigns affect music and musicians? The authors explain this interaction from various perspectives, with methodological approaches from several fields, including political science, legal studies, musicology, cultural studies, rhetorical studies, and communications and journalism. “The cumulative effect of the authors’ expertise on campaign music makes this book a tour-de-force.”—Nancy S. Love, author of Musical Democracy
title 1004128.pdf
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publisher University of North Texas Press
publishDate 2019
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