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oapen-20.500.12657-260142021-11-10T08:09:56Z Hard Reading Shippey, Tom Literature literary studies science fiction bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSB Literary studies: general::DSBH Literary studies: from c 1900 - The fifteen essays collected in Hard Reading argue that science fiction has its own internal rhetoric, relying on devices such as neologism, dialogism, semantic shifts, the use of unreliable narrators. It is a “high-information” genre which does not follow the Flaubertian ideal of le mot juste, “the right word”, preferring le mot imprévisible, “the unpredictable word”. Science fiction derives much of its energy from engagement with vital intellectual issues in the “soft sciences”, especially history, anthropology, the study of different cultures, with a strong bearing on politics. Both the rhetoric and the issues deserve to be taken much more seriously than they have been in academia, and in the wider world. Hard Reading is also a memoir of what it was like to be a committed fan, from teenage years, and also an academic struggling to find a place, at a time when a declared interest in science fiction and fantasy was the kiss of death for a career in the humanities. 2019-01-22 23:55 2018-12-01 23:55:55 2020-03-16 03:00:26 2020-04-01T10:57:14Z 2020-04-01T10:57:14Z 2016-02-23 book 1004071 OCN: 1100490178 9781781384398 http://library.oapen.org/handle/20.500.12657/26014 eng Liverpool Science Fiction Texts and Studies application/pdf n/a 1004071.pdf Liverpool University Press 10.5949/liverpool/9781781382615.001.0001 102608 10.5949/liverpool/9781781382615.001.0001 4dc2afaf-832c-43bc-9ac6-8ae6b31a53dc b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9781781384398 Knowledge Unlatched (KU) Liverpool 102608 KU Select 2018: HSS Backlist Books Knowledge Unlatched open access
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The fifteen essays collected in Hard Reading argue that science fiction has its own internal rhetoric, relying on devices such as neologism, dialogism, semantic shifts, the use of unreliable narrators. It is a “high-information” genre which does not follow the Flaubertian ideal of le mot juste, “the right word”, preferring le mot imprévisible, “the unpredictable word”. Science fiction derives much of its energy from engagement with vital intellectual issues in the “soft sciences”, especially history, anthropology, the study of different cultures, with a strong bearing on politics. Both the rhetoric and the issues deserve to be taken much more seriously than they have been in academia, and in the wider world.
Hard Reading is also a memoir of what it was like to be a committed fan, from teenage years, and also an academic struggling to find a place, at a time when a declared interest in science fiction and fantasy was the kiss of death for a career in the humanities.
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Liverpool University Press
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2019
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