soundings.pdf

This book draws on the lived experience of sound’s capacity to move and shake us in direct, subtle and profound ways through speech, location sound, and music in documentary film. The associative, connotative and sheer emotive power of sound has the capacity to move and shake us in a myriad of di...

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Γλώσσα:English
Έκδοση: University of Huddersfield Press 2019
id oapen-20.500.12657-26101
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spelling oapen-20.500.12657-261012022-04-26T12:22:38Z Soundings Cox, Geoffrey Corner, John Sound noise music speech soundings bic Book Industry Communication::A The arts This book draws on the lived experience of sound’s capacity to move and shake us in direct, subtle and profound ways through speech, location sound, and music in documentary film. The associative, connotative and sheer emotive power of sound has the capacity to move and shake us in a myriad of direct, subtle and often profound ways. The implications of this for its role as speech, location sound, and music in documentary film are far-reaching. The writers in this book draw on the lived experience of sound’s resounding capacity as primary motivation for exploring these implications, united by the overarching theme of how listening is connected with acts of making sense both on its own terms and in conjunction with viewing. The resulting thirteen essays of Soundings: Documentary Film and the Listening Experience cover films made from WWII to the present day in locations across Europe and the Americas, and in styles ranging from political propaganda, industrial promotion and educative exposition, to more aesthetically-driven films taking their bearings from avant-garde art. The authors draw on their experience in scholarly research, practice-as-research, and in the aesthetic and technical practice of documentary filmmaking. This mix of perspectives aims to widen and deepen the outlook of the recent and growing academic interest in the topic of documentary film sound. 2019-01-14 23:55 2018-12-01 23:55:55 2019-01-17 11:11:44 2020-04-01T10:59:32Z 2020-04-01T10:59:32Z 2018 book 1003986 OCN: 1082954469 9781862181540 http://library.oapen.org/handle/20.500.12657/26101 eng application/pdf n/a soundings.pdf University of Huddersfield Press 10.26530/OAPEN_1003986 10.26530/OAPEN_1003986 3837d63e-33c8-4358-b3b3-cd8b4c0ae5a1 9781862181540 303 Huddersfield open access
institution OAPEN
collection DSpace
language English
description This book draws on the lived experience of sound’s capacity to move and shake us in direct, subtle and profound ways through speech, location sound, and music in documentary film. The associative, connotative and sheer emotive power of sound has the capacity to move and shake us in a myriad of direct, subtle and often profound ways. The implications of this for its role as speech, location sound, and music in documentary film are far-reaching. The writers in this book draw on the lived experience of sound’s resounding capacity as primary motivation for exploring these implications, united by the overarching theme of how listening is connected with acts of making sense both on its own terms and in conjunction with viewing. The resulting thirteen essays of Soundings: Documentary Film and the Listening Experience cover films made from WWII to the present day in locations across Europe and the Americas, and in styles ranging from political propaganda, industrial promotion and educative exposition, to more aesthetically-driven films taking their bearings from avant-garde art. The authors draw on their experience in scholarly research, practice-as-research, and in the aesthetic and technical practice of documentary filmmaking. This mix of perspectives aims to widen and deepen the outlook of the recent and growing academic interest in the topic of documentary film sound.
title soundings.pdf
spellingShingle soundings.pdf
title_short soundings.pdf
title_full soundings.pdf
title_fullStr soundings.pdf
title_full_unstemmed soundings.pdf
title_sort soundings.pdf
publisher University of Huddersfield Press
publishDate 2019
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