1003693.pdf

Few readers of the works of the Russian author Ivan Turgenev are aware of the fact that he occasionally engaged in the writing of libretti. Even fewer people realize that Turgenev was interested in libretti-both theoretically and in practice- for much of his literary career. No attempt has yet been...

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Έκδοση: Peter Lang International Academic Publishers 2019
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spelling oapen-20.500.12657-263872022-04-26T12:34:23Z The Story of an Operetta Žekulin, Nicholas G. dernier Franz Liszt Ivan liberitti operetta Operetta Pauline Pauline Viardot russian literature sorcier Story Turgenev Viardot Žekulin bic Book Industry Communication::D Literature & literary studies Few readers of the works of the Russian author Ivan Turgenev are aware of the fact that he occasionally engaged in the writing of libretti. Even fewer people realize that Turgenev was interested in libretti-both theoretically and in practice- for much of his literary career. No attempt has yet been made to study his libretti in their essential context, that of Pauline Viardot׳s music. The present two-part study represent an effort at considering this apect of his life and work. It is based primarily on le Dernier Sorcier [The Last Sorcerer], arguably the best and most important of the Turgenev—Viardot operettas. 2019-01-10 23:55 2018-12-01 23:55:55 2020-01-13 14:17:17 2020-04-01T11:09:16Z 2020-04-01T11:09:16Z 1989 book 1003693 OCN: 1083021503 9783954794058 http://library.oapen.org/handle/20.500.12657/26387 cpe Vortraege und Abhandlungen zur Slavistik application/pdf n/a 1003693.pdf Peter Lang International Academic Publishers 10.3726/b12996 10.3726/b12996 e927e604-2954-4bf6-826b-d5ecb47c6555 9783954794058 15 155 Bern open access
institution OAPEN
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description Few readers of the works of the Russian author Ivan Turgenev are aware of the fact that he occasionally engaged in the writing of libretti. Even fewer people realize that Turgenev was interested in libretti-both theoretically and in practice- for much of his literary career. No attempt has yet been made to study his libretti in their essential context, that of Pauline Viardot׳s music. The present two-part study represent an effort at considering this apect of his life and work. It is based primarily on le Dernier Sorcier [The Last Sorcerer], arguably the best and most important of the Turgenev—Viardot operettas.
title 1003693.pdf
spellingShingle 1003693.pdf
title_short 1003693.pdf
title_full 1003693.pdf
title_fullStr 1003693.pdf
title_full_unstemmed 1003693.pdf
title_sort 1003693.pdf
publisher Peter Lang International Academic Publishers
publishDate 2019
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