1002833.pdf
<P>The purpose of th is study is to describe certain features of Tsvetaeva's intermediate world and to demonstrate its relation to several peculiarities of Tsvetaeva's poetics, specifically, her predilection for oxymoron and the ambiguous nature and behavior of her lyrical personae....
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Peter Lang International Academic Publishers
2019
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oapen-20.500.12657-271832022-04-26T12:33:34Z Marina Cvetaeva Lampl, Horst Hansen-Löve, Aage A. Cvetaeva Lampl Literatur Literaturwissenschaft Marina Materialien Poetik Russland Slawistik Studien bic Book Industry Communication::D Literature & literary studies <P>The purpose of th is study is to describe certain features of Tsvetaeva's intermediate world and to demonstrate its relation to several peculiarities of Tsvetaeva's poetics, specifically, her predilection for oxymoron and the ambiguous nature and behavior of her lyrical personae. Furthermore, these important structural elements are viewed as inherent in Tsvetaeva's dichotomous poetic vision. Two thematic cores, "love" and "poetry", are analyzed with particular attention given to the investigation of the nature of their opposition. An analysis of the "love"/"poetry" pair specifically serves as a vehicle for obtaining information about the intermediate world. </P> 2019-01-10 23:55 2018-12-01 23:55:55 2020-01-13 13:46:44 2020-04-01T11:44:28Z 2020-04-01T11:44:28Z 1981 book 1002833 OCN: 1082944304 9783954796717 http://library.oapen.org/handle/20.500.12657/27183 eng ger rus Wiener Slawistischer Almanach - Sonderbaende application/pdf n/a 1002833.pdf Peter Lang International Academic Publishers 10.3726/b12931 10.3726/b12931 e927e604-2954-4bf6-826b-d5ecb47c6555 9783954796717 3 310 Bern open access |
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<P>The purpose of th is study is to describe certain features of Tsvetaeva's intermediate world and to demonstrate its relation to several peculiarities of Tsvetaeva's poetics, specifically, her predilection for oxymoron and the ambiguous nature and behavior of her lyrical personae. Furthermore, these important structural elements are viewed as inherent in Tsvetaeva's dichotomous poetic vision. Two thematic cores, "love" and "poetry", are analyzed with particular attention given to the investigation of the nature of their opposition. An analysis of the "love"/"poetry" pair specifically serves as a vehicle for obtaining information about the intermediate world. </P> |
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