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oapen-20.500.12657-275332021-11-10T08:24:52Z Resetting the Stage Klaic, Dragon Arts European theatre public theatre theatre market commercial theatre bic Book Industry Communication::A The arts::AN Theatre studies Commercial theatre is thriving across Europe and the UK, while public theatre has suffered under changing patterns of cultural consumption—as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theatre to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic distinctiveness and the considerable benefit this confers on the public. 2018-10-01 23:55:55 2020-03-19 03:00:36 2020-04-01T11:56:19Z 2020-04-01T11:56:19Z 2012-09-01 book 1002474 OCN: 1082996609 9781783200481 http://library.oapen.org/handle/20.500.12657/27533 eng application/pdf n/a 1002474.pdf Intellect 10.2307/j.ctv9hj78n 101235 10.2307/j.ctv9hj78n dba70200-fc42-4588-b068-f9ec198260f0 b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9781783200481 Knowledge Unlatched (KU) Bristol 101235 KU Select 2017: Backlist Collection Knowledge Unlatched open access
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Commercial theatre is thriving across Europe and the UK, while public theatre has suffered under changing patterns of cultural consumption—as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theatre to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic distinctiveness and the considerable benefit this confers on the public.
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