1002338.pdf
Knowledge formations are always also image information. Scientific processes of knowledge therefore belong to a cultural practice that encompasses both visual and knowledge traditions. The essays collected in this volume examine scientific and artistic visualizations in the transitional zones betwee...
| Γλώσσα: | German |
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Hamburg University Press
2018
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oapen-20.500.12657-27667 |
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oapen-20.500.12657-276672024-03-23T11:30:09Z Sichtbarkeit und Medium. Austausch, Verknüpfung und Differenz naturwissenschaftlicher und ästhetischer Bildstrategien Zimmermann, Anja art history media media history media history history of science natural sciences visualization photography photography thema EDItEUR::N History and Archaeology::NH History Knowledge formations are always also image information. Scientific processes of knowledge therefore belong to a cultural practice that encompasses both visual and knowledge traditions. The essays collected in this volume examine scientific and artistic visualizations in the transitional zones between art and science and thus combine historical and pictorial issues. The topics range from microscopy in popular science books of the 17th and 18th centuries and the debate about ghost photography in the late 19th century to visualizations of the tobacco mosaic virus in the present. 2018-12-03 13:43:26 2020-04-01T11:59:21Z 2020-04-01T11:59:21Z 2005 book 1002338 OCN: 1082955686 9783980898591 http://library.oapen.org/handle/20.500.12657/27667 ger application/pdf 1002338.pdf hup.sub.uni-hamburg.de/purl/HamburgUP_Zimmermann_Sichtbarkeit Hamburg University Press 10.15460/HUP.85 10.15460/HUP.85 35685259-3553-4bae-af55-685815864a93 9783980898591 298 Hamburg open access |
| institution |
OAPEN |
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DSpace |
| language |
German |
| description |
Knowledge formations are always also image information. Scientific processes of knowledge therefore belong to a cultural practice that encompasses both visual and knowledge traditions. The essays collected in this volume examine scientific and artistic visualizations in the transitional zones between art and science and thus combine historical and pictorial issues. The topics range from microscopy in popular science books of the 17th and 18th centuries and the debate about ghost photography in the late 19th century to visualizations of the tobacco mosaic virus in the present. |
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1002338.pdf |
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| title_short |
1002338.pdf |
| title_full |
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1002338.pdf |
| publisher |
Hamburg University Press |
| publishDate |
2018 |
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1799945273605095424 |
