| id |
oapen-20.500.12657-28341
|
| record_format |
dspace
|
| spelling |
oapen-20.500.12657-283412021-11-12T16:08:21Z Modernism as Institution Hayden, Hans Social History Historiography Art Theory Modernity aesthetics Modernism bic Book Industry Communication::A The arts::AB The arts: general issues::ABA Theory of art bic Book Industry Communication::A The arts::AC History of art / art & design styles "Anyone who studies the history of modern art—in art museums, in the classroom, in art historical handbooks or specialist surveys—will soon be aware of a certain recurrent pattern governing the selection of objects and forming a certain type of narrative where the history of modern art is presented as a variety of different -isms that dissolve into each other in the coherent sequence that constitutes the history of modern art as modernism. But why is this pattern so similar in all different places and contexts? Is it possible to distinguish between the history of modern art and the history of modernism? And if so, when, where and how did modernism become synonymous with art of the modern era? With a dual perspective—regarding art as well as the discursive perception of art—Modernism as an Institution attempts to answer these questions by studying the frameworks for the institutional establishment, as well as the historiography, of modern art." 2018-10-04 11:32:46 2020-04-01T12:20:55Z 2020-04-01T12:20:55Z 2018 book 1001616 OCN: 1076642756 2002-3227 9789176350713; 9789176350690; 9789176350706 http://library.oapen.org/handle/20.500.12657/28341 eng Stockholm Studies in Culture and Aesthetics application/pdf n/a modernism-as-institution.pdf Stockholm University Press 10.16993/bar 10.16993/bar 8137467e-e537-45b2-b1c8-94fc2574b729 9789176350713; 9789176350690; 9789176350706 4 346 Stockholm open access
|
| institution |
OAPEN
|
| collection |
DSpace
|
| language |
English
|
| description |
"Anyone who studies the history of modern art—in art museums, in the classroom, in art historical handbooks or specialist surveys—will soon be aware of a certain recurrent pattern governing the selection of objects and forming a certain type of narrative where the history of modern art is presented as a variety of different -isms that dissolve into each other in the coherent sequence that constitutes the history of modern art as modernism.
But why is this pattern so similar in all different places and contexts? Is it possible to distinguish between the history of modern art and the history of modernism? And if so, when, where and how did modernism become synonymous with art of the modern era?
With a dual perspective—regarding art as well as the discursive perception of art—Modernism as an Institution attempts to answer these questions by studying the frameworks for the institutional establishment, as well as the historiography, of modern art."
|
| title |
modernism-as-institution.pdf
|
| spellingShingle |
modernism-as-institution.pdf
|
| title_short |
modernism-as-institution.pdf
|
| title_full |
modernism-as-institution.pdf
|
| title_fullStr |
modernism-as-institution.pdf
|
| title_full_unstemmed |
modernism-as-institution.pdf
|
| title_sort |
modernism-as-institution.pdf
|
| publisher |
Stockholm University Press
|
| publishDate |
2018
|
| _version_ |
1771297472102006784
|
