| id |
oapen-20.500.12657-28399
|
| record_format |
dspace
|
| spelling |
oapen-20.500.12657-283992021-11-12T16:10:28Z Chapter 8 Peter Rehberg, Christian Fennesz and the Label Mego Mazierska, Ewa Electronica Musica Austria Vienna History Criticism Popular music Social aspects Electronica Musica Austria Vienna History Criticism Popular music Social aspects Fennesz Mego (label) Peter Rehberg Techno bic Book Industry Communication::A The arts A large proportion of artists considered in this study at some stage of their career veered towards ‘serious’ or experimental music. This also refers to Peter Rehberg and Christian Fennesz. However, they differ from those considered previously, because unlike them, they did not cross the boundary between the popular and academic now and then but made it their personal signature. Their music also challenges our concept of electronic music, as well as studio and stage and even music and non-music. To contextualise their work, it is worth locating it first against the concept of ‘noise music’ or rather ‘noise as music’. 2019-10-17 14:49:20 2020-04-01T12:22:17Z 2018-09-28 23:55 2019-10-17 14:49:20 2020-04-01T12:22:17Z 2020-04-01T12:22:17Z 2018 chapter 1001563 OCN: 1076719619 9781315230627 http://library.oapen.org/handle/20.500.12657/28399 eng application/pdf n/a 9781138713918_oachapter8.pdf Taylor & Francis Popular Viennese Electronic Music, 1990–2015 Routledge 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb 9f48e641-1e62-4aa4-9485-f6bd5c54f382 9781315230627 Routledge 29 open access
|
| institution |
OAPEN
|
| collection |
DSpace
|
| language |
English
|
| description |
A large proportion of artists considered in this study at some stage of their career
veered towards ‘serious’ or experimental music. This also refers to Peter Rehberg
and Christian Fennesz. However, they differ from those considered previously,
because unlike them, they did not cross the boundary between the popular and
academic now and then but made it their personal signature. Their music also
challenges our concept of electronic music, as well as studio and stage and even
music and non-music. To contextualise their work, it is worth locating it first
against the concept of ‘noise music’ or rather ‘noise as music’.
|
| title |
9781138713918_oachapter8.pdf
|
| spellingShingle |
9781138713918_oachapter8.pdf
|
| title_short |
9781138713918_oachapter8.pdf
|
| title_full |
9781138713918_oachapter8.pdf
|
| title_fullStr |
9781138713918_oachapter8.pdf
|
| title_full_unstemmed |
9781138713918_oachapter8.pdf
|
| title_sort |
9781138713918_oachapter8.pdf
|
| publisher |
Taylor & Francis
|
| publishDate |
2019
|
| _version_ |
1771297431717150720
|
