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oapen-20.500.12657-294662023-12-05T13:59:19Z The Juggler of Notre Dame and the Medievalizing of Modernity Ziolkowski, Jan M. The Juggler of Notre Dame Middle Ages reception studies Modernity medieval studies medievalism philology literary history art history folklore performance studies Cistercians Exemplum Latin Minstrel Paris bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACK History of art: Byzantine & Medieval art c 500 CE to c 1400 bic Book Industry Communication::D Literature & literary studies bic Book Industry Communication::J Society & social sciences::JF Society & culture: general This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies. 2018-09-11 13:16:30 2020-04-01T12:29:00Z 2020-04-01T12:29:00Z 2018 book 1000470 OCN: 1076657066 9781783744336 http://library.oapen.org/handle/20.500.12657/29466 eng 62035e27-8ddf-462a-9850-b67b11f46244 b707c8c4-f9e3-4f28-9273-1fa6db7364d2 e5b5492e-2c4c-4bcb-92f0-61895551edfc 8046f78a-e112-4b0d-acca-a2ca2187a1ed 61a1d76e-63cc-4bcc-95ac-e21b6374c2a4 application/pdf n/a 9781783744350.pdf Open Book Publishers 10.11647/OBP.0132 10.11647/OBP.0132 23117811-c361-47b4-8b76-2c9b160c9a8b 9781783744336 ScholarLed 406 open access
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This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life.
Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today.
The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards.
Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.
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