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oapen-20.500.12657-294872022-04-26T11:15:32Z Poetics and Politics Bernhart, Toni Drnovšek, Jaša Kilian, Sven Thorsten Küpper, Joachim Mosch, Jan Drama History of Ideas Comparative Literature Early Modern Europe Aristotle William Shakespeare bic Book Industry Communication::A The arts Far from teleological historiography, the pan-European perspective on Early Modern drama offered in this volume provides answers to why, how, where and when the given phenomena of theatre appear in history. Using theories of circulation and other concepts of exchange, transfer and movement, the authors analyze the development and differentiation of European secular and religious drama, within the disciplinary framework of comparative literature and the history of literature and concepts. Within this frame, aspects of major interest are the relationship between tradition and innovation, the status of genre, the proportion of autonomous and heteronomous creational dispositions within the artefacts or genres they belong to, as well as strategies of functionalization in the context of a given part of the cultural net. Contributions cover a broad range of topics, including poetics of Early Modern Drama; political, institutional and social practices; history of themes and motifs (Stoffgeschichte); history of genres/cross-fertilization between genres; textual traditions and distribution of texts; questions of originality and authorship; theories of circulation and net structures in Drama Studies. 2018-09-07 23:55 2020-01-07 16:47:06 2020-04-01T12:29:25Z 2020-04-01T12:29:25Z 2018 book 1000449 OCN: 1076627449 9783110536690 http://library.oapen.org/handle/20.500.12657/29487 eng application/pdf n/a poetics.pdf De Gruyter 10.1515/9783110536690 10.1515/9783110536690 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 7292b17b-f01a-4016-94d3-d7fb5ef9fb79 9783110536690 European Research Council (ERC) 280 Berlin, Germany 246603 FP7 FP7 Ideas: European Research Council FP7-IDEAS-ERC - Specific Programme: "Ideas" Implementing the Seventh Framework Programme of the European Community for Research, Technological Development and Demonstration Activities (2007 to 2013) open access
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Far from teleological historiography, the pan-European perspective on Early Modern drama offered in this volume provides answers to why, how, where and when the given phenomena of theatre appear in history.
Using theories of circulation and other concepts of exchange, transfer and movement, the authors analyze the development and differentiation of European secular and religious drama, within the disciplinary framework of comparative literature and the history of literature and concepts.
Within this frame, aspects of major interest are the relationship between tradition and innovation, the status of genre, the proportion of autonomous and heteronomous creational dispositions within the artefacts or genres they belong to, as well as strategies of functionalization in the context of a given part of the cultural net.
Contributions cover a broad range of topics, including poetics of Early Modern Drama; political, institutional and social practices; history of themes and motifs (Stoffgeschichte); history of genres/cross-fertilization between genres; textual traditions and distribution of texts; questions of originality and authorship; theories of circulation and net structures in Drama Studies.
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