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oapen-20.500.12657-294892021-11-12T16:08:40Z The Cultural Net Küpper, Joachim early modern drama bic Book Industry Communication::A The arts I developed the basic theoretical approach here outlined, which consists in a network theory of cultural (specifically literary) production. The main area of exemplification for the theoretical assumptions, early modern European drama, was chosen to accord with one of my primary fields of expertise. Over the years during which I was able to devote myself to this project—for which we created the name “DramaNet”—I profited enormously from working with the members of my team, who introduced me to ramifications of the questions pertaining to the field of exemplification previously unknown to me. The present book will refer to their publications wherever this is indicated according to standards of scholarly ethics; in order to provide some orientation, I will briefly characterize the thematic and methodological frames of the various more specialized studies resulting from the research team’s endeavors in the last section of the chapter “Outline of the Argument”. 2018-09-07 23:55 2020-01-07 16:47:06 2020-04-01T12:29:28Z 2020-04-01T12:29:28Z 2018 book 1000447 OCN: 1076646582 9783110601732; 9783110536638 http://library.oapen.org/handle/20.500.12657/29489 eng application/epub+zip n/a 9783110601732.epub De Gruyter 10.1515/9783110536638 10.1515/9783110536638 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 7292b17b-f01a-4016-94d3-d7fb5ef9fb79 9783110601732; 9783110536638 European Research Council (ERC) 320 Berlin, Germany 246603 FP7 FP7 Ideas: European Research Council FP7-IDEAS-ERC - Specific Programme: "Ideas" Implementing the Seventh Framework Programme of the European Community for Research, Technological Development and Demonstration Activities (2007 to 2013) open access
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I developed the basic theoretical approach here outlined, which consists in a network theory of cultural (specifically literary) production. The main area of exemplification for the theoretical assumptions, early modern European drama, was chosen to accord with one of my primary fields of expertise. Over the years during which I was able to devote myself to this project—for which we created the name “DramaNet”—I profited enormously from working with the members of my team, who introduced me to ramifications of the questions pertaining to the field of exemplification previously unknown to me. The present book will refer to their publications wherever this is indicated according to standards of scholarly ethics; in order to provide some orientation, I will briefly characterize the thematic and methodological frames of the various more specialized studies resulting from the research team’s endeavors in the last section of the chapter “Outline of the Argument”.
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