1000362.pdf
Simone Verovio was the first printer to produce a substantial number of musical prints using engraved copper plates. This intaglio printing technique not only allowed him to print on demand, but also to combine different kinds of notation on one page opening: voice parts with corresponding harpsicho...
| Γλώσσα: | English |
|---|---|
| Έκδοση: |
Böhlau
2020
|
| Διαθέσιμο Online: | https://www.vandenhoeck-ruprecht-verlage.com/themen-entdecken/literatur-sprach-und-kulturwissenschaften/musikwissenschaft/38857/simone-verovio |
| id |
oapen-20.500.12657-29570 |
|---|---|
| record_format |
dspace |
| spelling |
oapen-20.500.12657-295702023-07-18T12:24:50Z Simone Verovio Campagne, Augusta Grassl, Markus Kapp, Reinhard Music Music History 16th Century 17th Century Partituren Musical Scores Musikgeschichte AVGC3 AVGC4 Baroque music (c. 1600 to c. 1750) Classical music (c. 1750 to c. 1830) Music Music History 16th Century 17th Century Partituren Musical Scores Musikgeschichte AVGC3 AVGC4 Baroque music (c. 1600 to c. 1750) Classical music (c. 1750 to c. 1830) Bass (voice type) Cadence Canzonetta Figured bass Harpsichord Intabulation Lute Rome bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJD European history Simone Verovio was the first printer to produce a substantial number of musical prints using engraved copper plates. This intaglio printing technique not only allowed him to print on demand, but also to combine different kinds of notation on one page opening: voice parts with corresponding harpsichord and lute intabulations. This detailed comparison of intaglio and relief printing techniques in the editions associated with Verovio sheds light on the production of sheet music around 1600 and the comparison of the vocal and instrumental parts provides ground-breaking insights into historical performance practice. 2020-03-19 03:00:35 2020-04-01T12:32:37Z 2018-08-03 23:55 2020-03-19 03:00:35 2020-04-01T12:32:37Z 2020-04-01T12:32:37Z 2018 book 1000362 OCN: 1051782526 9783205207184 http://library.oapen.org/handle/20.500.12657/29570 eng application/pdf n/a 1000362.pdf https://www.vandenhoeck-ruprecht-verlage.com/themen-entdecken/literatur-sprach-und-kulturwissenschaften/musikwissenschaft/38857/simone-verovio Böhlau 10.7767/9783205207184 103514 10.7767/9783205207184 Brill b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9783205207184 Knowledge Unlatched (KU) Austrian Science Fund (FWF) Böhlau 103514 KU Open Services 648611 2020-01-08 03:00:27, Grantor: Austrian Science Fund/ Number: PUB 421 Knowledge Unlatched open access |
| institution |
OAPEN |
| collection |
DSpace |
| language |
English |
| description |
Simone Verovio was the first printer to produce a substantial number of musical prints using engraved copper plates. This intaglio printing technique not only allowed him to print on demand, but also to combine different kinds of notation on one page opening: voice parts with corresponding harpsichord and lute intabulations. This detailed comparison of intaglio and relief printing techniques in the editions associated with Verovio sheds light on the production of sheet music around 1600 and the comparison of the vocal and instrumental parts provides ground-breaking insights into historical performance practice. |
| title |
1000362.pdf |
| spellingShingle |
1000362.pdf |
| title_short |
1000362.pdf |
| title_full |
1000362.pdf |
| title_fullStr |
1000362.pdf |
| title_full_unstemmed |
1000362.pdf |
| title_sort |
1000362.pdf |
| publisher |
Böhlau |
| publishDate |
2020 |
| url |
https://www.vandenhoeck-ruprecht-verlage.com/themen-entdecken/literatur-sprach-und-kulturwissenschaften/musikwissenschaft/38857/simone-verovio |
| _version_ |
1799945305544720384 |
