| spelling |
oapen-20.500.12657-297162021-11-12T16:16:10Z Powers of Divergence D'Errico, Lucia music performance artistic research divergence Baroque music Gilles Deleuze Musical composition Musical notation Semiotics bic Book Industry Communication::A The arts::AV Music::AVA Theory of music & musicology "Beyond resemblance: creative divergence in music performance What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts and semiotics, and crucially based upon an artistic research project with a strong creative and practical component, it proposes a new approach to music performance. The approach is based on divergence, on the difference produced by intensifying the chasm between the symbolic aspect of music notation and the irreducible materiality of performance. Instead of regarding performance as reiteration, reconstruction and reproduction of past musical works, Powers of Divergence emphasises its potential for the emergence of the new and for the problematisation of the limits of musical semiotics." 2018-07-09 23:55 2019-05-13 14:54:12 2020-04-01T12:36:32Z 2020-04-01T12:36:32Z 2018 book 1000228 OCN: 1051778732 9789462701397; 9789461662514 http://library.oapen.org/handle/20.500.12657/29716 eng Orpheus Institute Series application/pdf n/a 1000228.pdf Leuven University Press 10.26530/OAPEN_1000228 10.26530/OAPEN_1000228 91436d3b-fb9a-45e9-8a57-08708b92dcda 7292b17b-f01a-4016-94d3-d7fb5ef9fb79 9789462701397; 9789461662514 European Research Council (ERC) 220 Leuven 313419 FP7 SC39 FP7 Ideas: European Research Council FP7-IDEAS-ERC - Specific Programme: "Ideas" Implementing the Seventh Framework Programme of the European Community for Research, Technological Development and Demonstration Activities (2007 to 2013) open access
|
| description |
"Beyond resemblance: creative divergence in music performance
What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts and semiotics, and crucially based upon an artistic research project with a strong creative and practical component, it proposes a new approach to music performance. The approach is based on divergence, on the difference produced by intensifying the chasm between the symbolic aspect of music notation and the irreducible materiality of performance. Instead of regarding performance as reiteration, reconstruction and reproduction of past musical works, Powers of Divergence emphasises its potential for the emergence of the new and for the problematisation of the limits of musical semiotics."
|
