| spelling |
oapen-20.500.12657-297182021-11-12T16:08:20Z Transpositions Arlander, Annette de Assis, Paulo Braidotti, Rosi Kirkkopelto, Esa D'Errico, Lucia Gonzalez, Laura Dahlberg, Leif Malum Fitje, Tor-Finn Pirrò, David Rutz, Hanns Holger Weiberg, Birk Schwab, Michael Rheinberger, Hans-Jörg Malaspina, Cecile de Assis, Paulo Mersch, Dieter Elo, Mika Lomax, Yve Schwab, Michael aesthetico-epistemic artistic research Research bic Book Industry Communication::A The arts::AV Music::AVA Theory of music & musicology "New modes of epistemic relationships in artistic research Research leads to new insights rupturing the existent fabric of knowledge. Situated in the still evolving field of artistic research, this book investigates a fundamental quality of this process. Building on the lessons of deconstruction, artistic research invents new modes of epistemic relationships that include aesthetic dimensions. Under the heading transposition, seventeen artists, musicians, and theorists explain how one thing may turn into another in a spatio-temporal play of identity and difference that has the power to expand into the unknown. By connecting materially concrete positions in a way familiar to artists, this book shows how moves can be made between established positions and completely new ground. In doing so, research changes from a process that expands knowledge to one that creatively reinvents it. Contributors: Annette Arlander (University of the Arts Helsinki), Paulo de Assis (Orpheus Institute, Ghent), Rosi Braidotti (Utrecht University), Leif Dahlberg (Royal Institute of Technology Stockholm), Lucia D’Errico (Orpheus Institute, Ghent), Mika Elo (University of the Arts Helsinki), Laura González (Royal Conservatoire of Scotland), Esa Kirkkopelto (University of the Arts Helsinki), Yve Lomax (Royal College of Art, London), Cecile Malaspina (CNRS-Université Paris 1/Université Paris 7), Tor-Finn Malum Fitje (independent artist, Oslo), Dieter Mersch (Zurich University of the Arts), David Pirrò (University of Music and Performing Arts Graz), Hans-Jörg Rheinberger (Max Planck Institute for the History of Science, Berlin), Hanns Holger Rutz (University of Music and Performing Arts Graz), Michael Schwab (Orpheus Institute, Ghent/University of Applied Arts Vienna), Birk Weiberg (Zurich University of the Arts)" 2018-07-09 23:55 2019-05-13 14:54:12 2020-04-01T12:36:36Z 2020-04-01T12:36:36Z 2018 book 1000226 OCN: 1076641109 9789462701410; 9789461662538 http://library.oapen.org/handle/20.500.12657/29718 eng Orpheus Institute Series application/pdf n/a 180904 nieuwe pdf Transpositions_285x195_DEF2_e.pdf Leuven University Press 10.26530/OAPEN_1000226 10.26530/OAPEN_1000226 91436d3b-fb9a-45e9-8a57-08708b92dcda 7292b17b-f01a-4016-94d3-d7fb5ef9fb79 9789462701410; 9789461662538 European Research Council (ERC) 324 Leuven 313419 FP7 SC39 FP7 Ideas: European Research Council FP7-IDEAS-ERC - Specific Programme: "Ideas" Implementing the Seventh Framework Programme of the European Community for Research, Technological Development and Demonstration Activities (2007 to 2013) open access
|
| description |
"New modes of epistemic relationships in artistic research
Research leads to new insights rupturing the existent fabric of knowledge. Situated in the still evolving field of artistic research, this book investigates a fundamental quality of this process. Building on the lessons of deconstruction, artistic research invents new modes of epistemic relationships that include aesthetic dimensions.
Under the heading transposition, seventeen artists, musicians, and theorists explain how one thing may turn into another in a spatio-temporal play of identity and difference that has the power to expand into the unknown. By connecting materially concrete positions in a way familiar to artists, this book shows how moves can be made between established positions and completely new ground. In doing so, research changes from a process that expands knowledge to one that creatively reinvents it.
Contributors: Annette Arlander (University of the Arts Helsinki), Paulo de Assis (Orpheus Institute, Ghent), Rosi Braidotti (Utrecht University), Leif Dahlberg (Royal Institute of Technology Stockholm), Lucia D’Errico (Orpheus Institute, Ghent), Mika Elo (University of the Arts Helsinki), Laura González (Royal Conservatoire of Scotland), Esa Kirkkopelto (University of the Arts Helsinki), Yve Lomax (Royal College of Art, London), Cecile Malaspina (CNRS-Université Paris 1/Université Paris 7), Tor-Finn Malum Fitje (independent artist, Oslo), Dieter Mersch (Zurich University of the Arts), David Pirrò (University of Music and Performing Arts Graz), Hans-Jörg Rheinberger (Max Planck Institute for the History of Science, Berlin), Hanns Holger Rutz (University of Music and Performing Arts Graz), Michael Schwab (Orpheus Institute, Ghent/University of Applied Arts Vienna), Birk Weiberg (Zurich University of the Arts)"
|
