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oapen-20.500.12657-299762023-02-01T09:01:29Z Screening Auschwitz Haltof, Marek Arts PERFORMING ARTS / Film & Video/History & Criticism Auschwitz concentration camp Poland Poles Schutzstaffel The Holocaust This book about the early screen representation of Auschwitz-Birkenau deals with the classic Holocaust film made in 1948 in Poland by Auschwitz survivor, director Wanda Jakubowska. The Last Stage (or The Last Stop) is a pioneering work – the first narrative film to portray the former Nazi German camp. Haltof discusses Jakubowska’s life and career before World War II, her imprisonment during the war, the prominent role that she played in the nationalized postwar Polish cinema, and problems she faced during the script stage. The monograph also discusses the unusual circumstances that surrounded the production of the film at Auschwitz-Birkenau and summarizes critical debates surrounding its release. Screening Auschwitz is the first detailed monograph on this classic Holocaust film. The book incorporates new materials and sources obtained through extensive archival research, and examines the impact of the film on other Holocaust narratives. 2018-06-07 23:55 2020-03-12 03:00:32 2020-04-01T12:41:24Z 2020-04-01T12:41:24Z 2018-01-15 book 650641 OCN: 1076681820 9780810136083 http://library.oapen.org/handle/20.500.12657/29976 eng Cultural Expressions application/pdf n/a 650641.pdf Northwestern University Press 10.2307/j.ctv3znz28 101378 10.2307/j.ctv3znz28 b4699693-8bd9-4982-b22e-c153becb6f4b b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9780810136083 Knowledge Unlatched (KU) Evanston, Illinois 101378 KU Select 2017: Front list Collection Knowledge Unlatched open access
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OAPEN
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English
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| description |
This book about the early screen representation of Auschwitz-Birkenau deals with the classic Holocaust film made in 1948 in Poland by Auschwitz survivor, director Wanda Jakubowska. The Last Stage (or The Last Stop) is a pioneering work – the first narrative film to portray the former Nazi German camp. Haltof discusses Jakubowska’s life and career before World War II, her imprisonment during the war, the prominent role that she played in the nationalized postwar Polish cinema, and problems she faced during the script stage. The monograph also discusses the unusual circumstances that surrounded the production of the film at Auschwitz-Birkenau and summarizes critical debates surrounding its release. Screening Auschwitz is the first detailed monograph on this classic Holocaust film. The book incorporates new materials and sources obtained through extensive archival research, and examines the impact of the film on other Holocaust narratives.
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Northwestern University Press
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2018
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1771297588309393408
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