650084.pdf

Today more than ever before, the historical witness is now a “museum object” in the form of video interviews with individuals remembering events of historical importance. Such video testimonies now not only are part of the collections and research activities of museums, but become deeply intertwined...

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Γλώσσα:English
Έκδοση: Berghahn Books 2018
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spelling oapen-20.500.12657-300092024-03-25T09:51:39Z The Witness as Object de Jong, Steffi History Holocaust video exhibits testimony public memory public history Bergen-Belsen concentration camp Imperial War Museum The Holocaust Yad Vashem thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies Today more than ever before, the historical witness is now a “museum object” in the form of video interviews with individuals remembering events of historical importance. Such video testimonies now not only are part of the collections and research activities of museums, but become deeply intertwined with narrative and exhibit design. With a focus on Holocaust museums, this study scrutinizes for the first time this new global process of “musealisation” of testimony, exploring the processes, prerequisites, and consequences of the transformation of video testimonies into exhibits. 2018-05-18 23:55 2020-03-20 03:00:29 2020-04-01T12:42:27Z 2020-04-01T12:42:27Z 2018-04-30 book 650084 OCN: 1038392556 9781785336430;9781785336447 http://library.oapen.org/handle/20.500.12657/30009 eng Museums & Collections application/pdf n/a 650084.pdf Berghahn Books 10.2307/j.ctv3znzsd 101571 10.2307/j.ctv3znzsd 562fcfcf-0356-4c23-869a-acb39d8c84b5 b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9781785336430;9781785336447 Knowledge Unlatched (KU) 101571 KU Select 2017: Front list Collection Knowledge Unlatched open access
institution OAPEN
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language English
description Today more than ever before, the historical witness is now a “museum object” in the form of video interviews with individuals remembering events of historical importance. Such video testimonies now not only are part of the collections and research activities of museums, but become deeply intertwined with narrative and exhibit design. With a focus on Holocaust museums, this study scrutinizes for the first time this new global process of “musealisation” of testimony, exploring the processes, prerequisites, and consequences of the transformation of video testimonies into exhibits.
title 650084.pdf
spellingShingle 650084.pdf
title_short 650084.pdf
title_full 650084.pdf
title_fullStr 650084.pdf
title_full_unstemmed 650084.pdf
title_sort 650084.pdf
publisher Berghahn Books
publishDate 2018
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