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oapen-20.500.12657-300512024-03-25T09:51:43Z We Shall Not Be Moved/No nos moverán Spener, David Anthropology I Shall Not Be Moved Spiritual (music) United States thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies We Shall Not Be Moved: The Trail Blazed by a Song from the U.S. South to Spain and South America details the history of "We Shall Not Be Moved" from its birth as a slave spiritual in the U.S. South and its subsequent adoption as a standard hymn by the U.S. labor, civil rights, and farmworker movements, to its singing in the student movement opposing the Franco dictatorship in Spain in the 1960s, and finally to its arrival in the South American country of Chile during its experiment with democratic socialism in the early 1970s. The book outlines the role the song has played in each of the movements in which it has been sung and analyzes its dissemination, function, and meaning through a number of different sociological and anthropological lenses. 2018-05-18 23:55 2020-03-07 03:00:27 2020-04-01T12:43:32Z 2020-04-01T12:43:32Z 2016-03-01 book 650048 OCN: 945454188 9781439912997 http://library.oapen.org/handle/20.500.12657/30051 eng application/pdf n/a 650048.pdf Temple University Press 103441 126074ec-499d-4e24-a17f-09a9c593ec01 b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9781439912997 Knowledge Unlatched (KU) 103441 KU Round 2 605458 Knowledge Unlatched open access
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We Shall Not Be Moved: The Trail Blazed by a Song from the U.S. South to Spain and South America details the history of "We Shall Not Be Moved" from its birth as a slave spiritual in the U.S. South and its subsequent adoption as a standard hymn by the U.S. labor, civil rights, and farmworker movements, to its singing in the student movement opposing the Franco dictatorship in Spain in the 1960s, and finally to its arrival in the South American country of Chile during its experiment with democratic socialism in the early 1970s. The book outlines the role the song has played in each of the movements in which it has been sung and analyzes its dissemination, function, and meaning through a number of different sociological and anthropological lenses.
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