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oapen-20.500.12657-301312024-03-25T09:51:06Z Passionate Amateurs Ridout, Nicholas Literature Capitalism Communism Karl Marx thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies Beginning with Chekhov’s Uncle Vanya, Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theater’s potential to produce surprising experiences of human community. Ridout argues that theater in modern capitalism can help us think afresh about notions of work, time, and freedom. Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theater’s potential to produce surprising experiences of human community. It begins with one of the first great plays of modern European theater—Chekhov’s Uncle Vanya in Moscow—and then crosses the 20th and 21st centuries to look at how its story plays out in Weimar Republic Berlin, in the Paris of the 1960s, and in a spectrum of contemporary performance in Europe and the United States. 2018-05-18 23:55 2020-03-12 03:00:28 2020-04-01T12:45:50Z 2020-04-01T12:45:50Z 2013-10-01 book 649969 OCN: 862373069 9780472119073 http://library.oapen.org/handle/20.500.12657/30131 eng application/pdf n/a 649969.pdf University of Michigan Press 10.1353/book.27375 103431 10.1353/book.27375 e07ce9b5-7a46-4096-8f0c-bc1920e3d889 b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9780472119073 Knowledge Unlatched (KU) Ann Arbor 103431 KU Pilot Knowledge Unlatched open access
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OAPEN
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DSpace
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English
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| description |
Beginning with Chekhov’s Uncle Vanya, Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theater’s potential to produce surprising experiences of human community. Ridout argues that theater in modern capitalism can help us think afresh about notions of work, time, and freedom. Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theater’s potential to produce surprising experiences of human community. It begins with one of the first great plays of modern European theater—Chekhov’s Uncle Vanya in Moscow—and then crosses the 20th and 21st centuries to look at how its story plays out in Weimar Republic Berlin, in the Paris of the 1960s, and in a spectrum of contemporary performance in Europe and the United States.
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649969.pdf
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649969.pdf
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| publisher |
University of Michigan Press
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| publishDate |
2018
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1799945246322196480
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