649964.pdf

David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, M...

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Γλώσσα:English
Έκδοση: Duke University Press 2018
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spelling oapen-20.500.12657-301362024-03-25T09:51:07Z My Voice Is My Weapon McDonald, David A. Music Arabs Israel Israelis Nationalism Palestinians thema EDItEUR::A The Arts::AV Music David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. 2018-05-18 23:55 2020-03-10 03:00:28 2020-04-01T12:45:58Z 2020-04-01T12:45:58Z 2013-05-01 book 649964 OCN: 1037241122 9780822378280 http://library.oapen.org/handle/20.500.12657/30136 eng application/pdf n/a 649964.pdf Duke University Press 10.1215/9780822378280 103397 10.1215/9780822378280 f0d6aaef-4159-4e01-b1ea-a7145b2ab14b b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9780822378280 Knowledge Unlatched (KU) Durham, NC 103397 KU Pilot Knowledge Unlatched open access
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language English
description David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation.
title 649964.pdf
spellingShingle 649964.pdf
title_short 649964.pdf
title_full 649964.pdf
title_fullStr 649964.pdf
title_full_unstemmed 649964.pdf
title_sort 649964.pdf
publisher Duke University Press
publishDate 2018
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