649954.pdf
Examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. A comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stali...
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Purdue University Press
2018
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oapen-20.500.12657-301462024-03-25T09:51:10Z Composing the Party Line Tompkins, David G. Music East Germany Musicology Poland Polish United Workers' Party Socialist realism Socialist Unity Party of Germany Soviet Union thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies Examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. A comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stalin's death in 1953, concluding with the slow process of de-Stalinization in the mid-to-late 1990s. This book examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. It presents a comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stalin’s death in 1953, concluding with the slow process of de-Stalinization in the mid- to late-1950s. 2018-05-18 23:55 2020-03-13 03:00:30 2020-04-01T12:46:14Z 2020-04-01T12:46:14Z 2013-09-01 book 649954 OCN: 922994949 9781557536471 http://library.oapen.org/handle/20.500.12657/30146 eng application/pdf n/a 649954.pdf Purdue University Press 103427 3600efb5-b3a3-419f-9e4f-7a6094096815 b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9781557536471 Knowledge Unlatched (KU) West Lafayette 103427 KU Pilot Knowledge Unlatched open access |
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OAPEN |
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English |
| description |
Examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. A comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stalin's death in 1953, concluding with the slow process of de-Stalinization in the mid-to-late 1990s. This book examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. It presents a comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stalin’s death in 1953, concluding with the slow process of de-Stalinization in the mid- to late-1950s. |
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Purdue University Press |
| publishDate |
2018 |
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1799945205998157824 |
