| spelling |
oapen-20.500.12657-301472024-03-25T09:51:11Z China's iGeneration Johnson, Matthew D. Wagner, Keith B. Yu, Tianqui Vulpiani, Luke Media & Communications History 21st-century Motion Pictures China Media & Communications thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies Collection of essays on twenty-first century Chinese cinema and moving image culture. This innovative collection of essays on twenty-first century Chinese cinema and moving image culture features contributions from an international community of scholars, critics, and practitioners. Taken together, their perspectives make a compelling case that the past decade has witnessed a radical transformation of conventional notions of cinema. Following China's accession to the WTO in 2001, personal and collective experiences of changing social conditions have added new dimensions to the increasingly diverse Sinophone media landscape, and provided a novel complement to the existing edifice of blockbusters, documentaries, and auteur culture. The numerous 'iGeneration' productions and practices examined in this volume include 3D and IMAX films, experimental documentaries, animation, visual aides-mémoires, and works of pirated pastiche. 2018-05-18 23:55 2020-03-14 03:00:32 2020-04-01T12:46:16Z 2020-04-01T12:46:16Z 2014 book 649953 OCN: 879202940 9781623565954, 9781501315749 http://library.oapen.org/handle/20.500.12657/30147 eng application/pdf application/epub+zip Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International 9781623563127.pdf 9781623568474.epub Bloomsbury Academic 103411 066d8288-86e4-4745-ad2c-4fa54a6b9b7b b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9781623565954, 9781501315749 Knowledge Unlatched (KU) 103411 KU Pilot Knowledge Unlatched open access
|
| description |
Collection of essays on twenty-first century Chinese cinema and moving image culture. This innovative collection of essays on twenty-first century Chinese cinema and moving image culture features contributions from an international community of scholars, critics, and practitioners. Taken together, their perspectives make a compelling case that the past decade has witnessed a radical transformation of conventional notions of cinema. Following China's accession to the WTO in 2001, personal and collective experiences of changing social conditions have added new dimensions to the increasingly diverse Sinophone media landscape, and provided a novel complement to the existing edifice of blockbusters, documentaries, and auteur culture. The numerous 'iGeneration' productions and practices examined in this volume include 3D and IMAX films, experimental documentaries, animation, visual aides-mémoires, and works of pirated pastiche.
|
