| spelling |
oapen-20.500.12657-303172024-03-25T09:51:32Z The Altering Eye Phillip Kolker, Robert movies cinema rainer maria fassbinder european film joseph losey jean-luc godard film film studies glauber rocha new german cinema Filmmaking thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism The Altering Eye covers a "golden age" of international cinema from the end of WWII through to the New German Cinema of the 1970s. Combining historical, political, and textual analysis, Kolker develops a pattern of cinematic invention and experimentation from neorealism through the modernist interventions of Jean-Luc Godard and Rainer Maria Fassbinder, focusing along the way on such major figures as Luis Buñuel, Joseph Losey, the Brazilian director Glauber Rocha, and the work of major Cuban filmmakers. Kolker’s book has become a much quoted classic in the field of film studies providing essential reading for anybody interested in understanding the history of European and international cinema. This new and revised edition includes a substantive new Preface by the author and an updated Bibliography. 2018-04-03 00:00:00 2020-04-01T12:51:24Z 2020-04-01T12:51:24Z 2009 book 646694 OCN: 1021323051 9781906924034 http://library.oapen.org/handle/20.500.12657/30317 eng application/pdf n/a 646694.pdf http://www.openbookpublishers.com/reader/8 Open Book Publishers 10.11647/OBP.0002 10.11647/OBP.0002 23117811-c361-47b4-8b76-2c9b160c9a8b 9781906924034 ScholarLed 344 open access
|
| description |
The Altering Eye covers a "golden age" of international cinema from the end of WWII through to the New German Cinema of the 1970s. Combining historical, political, and textual analysis, Kolker develops a pattern of cinematic invention and experimentation from neorealism through the modernist interventions of Jean-Luc Godard and Rainer Maria Fassbinder, focusing along the way on such major figures as Luis Buñuel, Joseph Losey, the Brazilian director Glauber Rocha, and the work of major Cuban filmmakers. Kolker’s book has become a much quoted classic in the field of film studies providing essential reading for anybody interested in understanding the history of European and international cinema. This new and revised edition includes a substantive new Preface by the author and an updated Bibliography.
|
