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oapen-20.500.12657-303392024-03-25T09:51:32Z A Musicology of Performance Fabian, Dorottya j. s. bach perception baroque performance practice violin musical performance Dynamics (music) Johann Sebastian Bach Tempo Vibrato thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLA Art music, orchestral and formal music thema EDItEUR::6 Style qualifiers::6C Styles (C)::6CA Classical style thema EDItEUR::A The Arts::AV Music::AVP Musicians, singers, bands and groups thema EDItEUR::A The Arts::AV Music::AVN Composers and songwriters "This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach’s Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach’s opus." 2018-04-03 00:00:00 2020-04-01T12:52:11Z 2020-04-01T12:52:11Z 2015 book 646660 OCN: 1151521815 9781783741526 http://library.oapen.org/handle/20.500.12657/30339 eng application/pdf n/a 646660.pdf http://www.openbookpublishers.com/reader/346 Open Book Publishers 10.11647/OBP.0064 10.11647/OBP.0064 23117811-c361-47b4-8b76-2c9b160c9a8b 9781783741526 ScholarLed 354 open access
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"This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach’s Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories.
A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach’s opus."
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