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oapen-20.500.12657-305012024-03-25T09:51:36Z Gathering Ecologies Goodman, Andrew interactivity ecologies Concrescence Gilbert Simondon Immanence Individuation Parasitism thema EDItEUR::P Mathematics and Science::PS Biology, life sciences::PSA Life sciences: general issues::PSAF Ecological science, the Biosphere What might an interactive artwork look like that enabled greater expressive potential for all of the components of the event? How can we radically shift our idea of interactivity towards an ecological conception of the term, emphasising the generation of complex relation over the stability of objects and subjects? Gathering Ecologies explores this ethical and political shift in thinking, examining the creative potential of differential relations through key concepts from the philosophies of A.N. Whitehead, Gilbert Simondon and Michel Serres. Utilising detailed examinations of work by artists such as Lygia Clark, Rafael Lozano-Hemmer, Nathaniel Stern and Joyce Hinterding, the book discusses the creative potential of movement, perception and sensation, interfacing, sound and generative algorithmic design to tune an event towards the conditions of its own ecological emergence. 2018-03-27 00:00:00 2020-04-01T12:57:28Z 2020-04-01T12:57:28Z 2018 book 646116 OCN: 1030817548 9781785420535 http://library.oapen.org/handle/20.500.12657/30501 eng Immediations serie application/pdf Attribution-ShareAlike 4.0 International 646116.pdf http://openhumanitiespress.org/books/titles/gathering-ecologies Open Humanities Press f4b2eb29-a039-427a-9368-b62dcacdb4bd 9781785420535 347 open access
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What might an interactive artwork look like that enabled greater expressive potential for all of the components of the event? How can we radically shift our idea of interactivity towards an ecological conception of the term, emphasising the generation of complex relation over the stability of objects and subjects? Gathering Ecologies explores this ethical and political shift in thinking, examining the creative potential of differential relations through key concepts from the philosophies of A.N. Whitehead, Gilbert Simondon and Michel Serres. Utilising detailed examinations of work by artists such as Lygia Clark, Rafael Lozano-Hemmer, Nathaniel Stern and Joyce Hinterding, the book discusses the creative potential of movement, perception and sensation, interfacing, sound and generative algorithmic design to tune an event towards the conditions of its own ecological emergence.
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