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oapen-20.500.12657-305372024-03-25T09:51:37Z Performing Exile Rudakoff, Judith Arts exile performance exiled artists live performance Jaffa thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art This book brings together essays by an international group of scholars and artists, focusing on live performance inspired by living in exile, or created by exiled artists. Bringing together a range of perspectives to examine the full impact of political, socio-economic or psychological experiences of exile, Performing Exile: Foreign Bodies presents an inclusive mix of established and emerging voices from varied cultural and geographic affiliations. Chapters blend close critical analysis and autoethnography to document and interrogate performances and the political, religious, economic and cultural contexts that inform them. With a foreword by Yana Meerzon, and featuring essays on artists of Mexican, Korean-American, Lebanese-Quebecois, Spanish, Azerbaijani and Canadian Aboriginal origin, to name a few, Performing Exile is truly diverse. 2018-02-01 23:55:55 2020-03-19 03:00:37 2020-04-01T13:00:34Z 2020-04-01T13:00:34Z 2017-11-01 book 645370 OCN: 1030304706 9781783208180 http://library.oapen.org/handle/20.500.12657/30537 eng application/pdf n/a 645370.pdf Intellect 10.2307/j.ctv9hj90p 100968 10.2307/j.ctv9hj90p dba70200-fc42-4588-b068-f9ec198260f0 b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9781783208180 Knowledge Unlatched (KU) Bristol 100968 KU Select 2017: Front list Collection Knowledge Unlatched open access
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This book brings together essays by an international group of scholars and artists, focusing on live performance inspired by living in exile, or created by exiled artists. Bringing together a range of perspectives to examine the full impact of political, socio-economic or psychological experiences of exile, Performing Exile: Foreign Bodies presents an inclusive mix of established and emerging voices from varied cultural and geographic affiliations. Chapters blend close critical analysis and autoethnography to document and interrogate performances and the political, religious, economic and cultural contexts that inform them.
With a foreword by Yana Meerzon, and featuring essays on artists of Mexican, Korean-American, Lebanese-Quebecois, Spanish, Azerbaijani and Canadian Aboriginal origin, to name a few, Performing Exile is truly diverse.
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