645360.pdf

How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colo...

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Γλώσσα:English
Έκδοση: transcript Verlag 2018
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spelling oapen-20.500.12657-305482024-03-25T09:51:37Z Global Photographies Helff, Sissy Michels, Stefanie History History Photography Globalization Memory Archive Colonialism Postcolonialism Cultural History History of Colonialism thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTQ Colonialism and imperialism How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial and anthropological photography. The contributions sketch the contested field of (post-)colonial photography and trace the manifold intertwinements between historical and contemporary photographs. 2018-02-01 23:55:55 2020-03-17 03:00:33 2020-04-01T13:00:58Z 2020-04-01T13:00:58Z 2017-11-01 book 645360 OCN: 1030819685 9783839430064 http://library.oapen.org/handle/20.500.12657/30548 eng Image application/pdf n/a 645360.pdf transcript Verlag 101228 b30a6210-768f-42e6-bb84-0e6306590b5c b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9783839430064 Knowledge Unlatched (KU) Bielefeld, Germany 101228 KU Select 2017: Front list Collection Knowledge Unlatched open access
institution OAPEN
collection DSpace
language English
description How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial and anthropological photography. The contributions sketch the contested field of (post-)colonial photography and trace the manifold intertwinements between historical and contemporary photographs.
title 645360.pdf
spellingShingle 645360.pdf
title_short 645360.pdf
title_full 645360.pdf
title_fullStr 645360.pdf
title_full_unstemmed 645360.pdf
title_sort 645360.pdf
publisher transcript Verlag
publishDate 2018
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