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oapen-20.500.12657-305722024-03-25T09:51:38Z Constructions of Cultural Identities in Newsreel Cinema and Television after 1945 Imesch, Kornelia Schade, Sigrid Sieber, Samuel Media & Communications Newsreel Film Television Archive National Identity Cultural Identity Contemporary Art Media Cultural History Media History Media Studies Jean-Luc Godard Switzerland thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies Newsreel cinema and television not only served as an important tool in the shaping of political spheres and the construction of national and cultural identities up to the 1960s. Today’s potent televisual forms were furthermore developed in and strongly influenced by newsreels, and much of the archived newsreel footage is repeatedly used to both illustrate and re-stage past events and their significance. This book addresses newsreel cinema and television as a medium serving the formation of cultural identities in a variety of national contexts after 1945, its role in forming audiovisual narratives of a »biopic of the nation«, and the technical, aesthetical, and political challenges of archiving and restaging cinematic and televisual newsreel. 2018-02-01 23:55:55 2020-03-17 03:00:32 2020-04-01T13:01:49Z 2020-04-01T13:01:49Z 2016-11-15 book 645337 OCN: 966359171 9783839429754 http://library.oapen.org/handle/20.500.12657/30572 eng MedienAnalysen application/pdf n/a 645337.pdf transcript Verlag 10.14361/9783839429754 101261 10.14361/9783839429754 b30a6210-768f-42e6-bb84-0e6306590b5c b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9783839429754 Knowledge Unlatched (KU) Bielefeld, Germany 101261 KU Select 2017: Backlist Collection Knowledge Unlatched open access
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Newsreel cinema and television not only served as an important tool in the shaping of political spheres and the construction of national and cultural identities up to the 1960s. Today’s potent televisual forms were furthermore developed in and strongly influenced by newsreels, and much of the archived newsreel footage is repeatedly used to both illustrate and re-stage past events and their significance. This book addresses newsreel cinema and television as a medium serving the formation of cultural identities in a variety of national contexts after 1945, its role in forming audiovisual narratives of a »biopic of the nation«, and the technical, aesthetical, and political challenges of archiving and restaging cinematic and televisual newsreel.
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