645334.pdf
How to account for the peculiar attraction of certain photos? How to deal with the specific use of images in particular contexts? Monika Schwärzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis as well as from sociological, aesthe...
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2018
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oapen-20.500.12657-305752024-03-25T09:51:38Z At Face Value and Beyond Schwärzler, Monika Arts Photography Visual Culture Imagery Visual Literacy Media Image Visual Studies Fine Arts Large Hadron Collider Thomas Struth thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies How to account for the peculiar attraction of certain photos? How to deal with the specific use of images in particular contexts? Monika Schwärzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis as well as from sociological, aesthetic, and psychoanalytic perspectives. The topics range from a new reading of Thomas Struth’s street photographs to CERN photos with their charged rhetoric, from the assault of photographic close-ups to speculations on an anonymous slide collection featuring a woman with an ever-present white handbag. The book is intended for an audience receptive to the analytical appeal of images, prepared to go beyond what can be taken at face value. 2018-02-01 23:55:55 2020-03-17 03:00:32 2020-04-01T13:01:56Z 2020-04-01T13:01:56Z 2016-04-15 book 645334 OCN: 953603302 9783839429549 http://library.oapen.org/handle/20.500.12657/30575 eng Image application/pdf n/a 645334.pdf transcript Verlag 101249 b30a6210-768f-42e6-bb84-0e6306590b5c b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9783839429549 Knowledge Unlatched (KU) Bielefeld, Germany 101249 KU Select 2017: Backlist Collection Knowledge Unlatched open access |
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How to account for the peculiar attraction of certain photos? How to deal with the specific use of images in particular contexts? Monika Schwärzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis as well as from sociological, aesthetic, and psychoanalytic perspectives. The topics range from a new reading of Thomas Struth’s street photographs to CERN photos with their charged rhetoric, from the assault of photographic close-ups to speculations on an anonymous slide collection featuring a woman with an ever-present white handbag. The book is intended for an audience receptive to the analytical appeal of images, prepared to go beyond what can be taken at face value. |
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