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oapen-20.500.12657-306932024-03-25T09:51:40Z Rancière's Sentiments Panagia, Davide political view politics social view criticism jacques rancière interpretation aesthetics Aristotle Democracy Gustave Flaubert Louis Althusser thema EDItEUR::Q Philosophy and Religion::QD Philosophy thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPA Political science and theory In Rancière’s Sentiments Davide Panagia explores Jacques Rancière’s aesthetics of politics as it informs his radical democratic theory of participation. Attending to diverse practices of everyday living and doing—of form, style, and scenography—in Rancière’s writings, Panagia characterizes Rancière as a sentimental thinker for whom the aesthetic is indistinguishable from the political. Rather than providing prescriptions for political judgment and action, Rancière focuses on how sensibilities and perceptions constitute dynamic relations between persons and the worlds they create. Panagia traces this approach by examining Rancière’s modernist sensibilities, his theory of radical mediation, the influence of Gustave Flaubert on Rancière’s literary voice, and how Rancière juxtaposes seemingly incompatible objects and phenomena to create moments of sensorial disorientation. The power of Rancière’s work, Panagia demonstrates, lies in its ability to leave readers with a disjunctive sensibility of the world and what political thinking is and can be. 2018-02-19 00:00:00 2020-04-01T13:07:39Z 2020-04-01T13:07:39Z 2018 book 644177 OCN: 1003854976 9780822370130 http://library.oapen.org/handle/20.500.12657/30693 eng application/pdf n/a 644177.pdf https://www.dukeupress.edu/rancieres-sentiments Duke University Press Duke University Press Books 10.1215/9780822372165 10.1215/9780822372165 f0d6aaef-4159-4e01-b1ea-a7145b2ab14b 9780822370130 Duke University Press Books 161 Durham open access
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In Rancière’s Sentiments Davide Panagia explores Jacques Rancière’s aesthetics of politics as it informs his radical democratic theory of participation. Attending to diverse practices of everyday living and doing—of form, style, and scenography—in Rancière’s writings, Panagia characterizes Rancière as a sentimental thinker for whom the aesthetic is indistinguishable from the political. Rather than providing prescriptions for political judgment and action, Rancière focuses on how sensibilities and perceptions constitute dynamic relations between persons and the worlds they create. Panagia traces this approach by examining Rancière’s modernist sensibilities, his theory of radical mediation, the influence of Gustave Flaubert on Rancière’s literary voice, and how Rancière juxtaposes seemingly incompatible objects and phenomena to create moments of sensorial disorientation. The power of Rancière’s work, Panagia demonstrates, lies in its ability to leave readers with a disjunctive sensibility of the world and what political thinking is and can be.
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644177.pdf
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Duke University Press
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2018
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https://www.dukeupress.edu/rancieres-sentiments
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