642714.pdf
Mirrors of Entrapment and Emancipation explores the rich diversity of the meanings associated with the mirror and reflection in literature by women on the basis of the works of the Persian Forugh Farrokhzad (1935-1967) and her American contemporary Sylvia Plath (1932-1963). These two poets astutely...
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Leiden University Press
2018
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oapen-20.500.12657-30788 |
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oapen-20.500.12657-307882024-03-25T09:51:41Z Mirrors of Entrapment and Emancipation Rahimi Bahmany, Leila Literature God Metaphor Mirror image Narcissism Sigmund Freud Stanza Sylvia Plath thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets Mirrors of Entrapment and Emancipation explores the rich diversity of the meanings associated with the mirror and reflection in literature by women on the basis of the works of the Persian Forugh Farrokhzad (1935-1967) and her American contemporary Sylvia Plath (1932-1963). These two poets astutely employed mirror images for the realization as well as for communication of their turbulent psycho-emotional states to their readers, thereby capturing and conveying the essence of women desperately trapped among the antithetical images of twentieth-century womanhood. 2018-01-24 23:55 2017-12-01 23:55:55 2020-03-13 03:00:32 2020-04-01T13:13:11Z 2020-04-01T13:13:11Z 2015-03-01 book 642714 OCN: 905855880 9789087282967 9789400602076 http://library.oapen.org/handle/20.500.12657/30788 eng Iranian Studies Series application/pdf n/a 642714.pdf Leiden University Press 10.24415/9789087282240 101213 10.24415/9789087282240 276c53fd-5f1d-4065-9fce-9628863ddca8 b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9789087282967 9789400602076 Knowledge Unlatched (KU) Leiden 101213 KU Select 2017: Backlist Collection Knowledge Unlatched open access |
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OAPEN |
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DSpace |
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English |
| description |
Mirrors of Entrapment and Emancipation explores the rich diversity of the meanings associated with the mirror and reflection in literature by women on the basis of the works of the Persian Forugh Farrokhzad (1935-1967) and her American contemporary Sylvia Plath (1932-1963). These two poets astutely employed mirror images for the realization as well as for communication of their turbulent psycho-emotional states to their readers, thereby capturing and conveying the essence of women desperately trapped among the antithetical images of twentieth-century womanhood. |
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642714.pdf |
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| title_full |
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| publisher |
Leiden University Press |
| publishDate |
2018 |
| _version_ |
1799945204212432896 |
