635200.pdf

In the 1990s, Los Angeles was home to numerous radical social and environmental eruptions. In the face of several major earthquakes and floods, riots and economic insecurity, police brutality and mass incarceration, some young black Angelenos turned to holy hip hop—a movement merging Christianity an...

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Γλώσσα:English
Έκδοση: University of California Press 2017
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spelling oapen-20.500.12657-311932021-11-09T09:24:38Z Holy Hip Hop in the City of Angels Zanfagna, Christina gospel rap zion hip hop culture conversion church los angeles earthquake christianity holy hip hop Inglewood California Pastor bic Book Industry Communication::A The arts::AV Music bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRA Religion: general bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies In the 1990s, Los Angeles was home to numerous radical social and environmental eruptions. In the face of several major earthquakes and floods, riots and economic insecurity, police brutality and mass incarceration, some young black Angelenos turned to holy hip hop—a movement merging Christianity and hip hop culture—to “save” themselves and the city. Converting street corners to open-air churches and gangsta rap beats into anthems of praise, holy hip hoppers used gospel rap to navigate complicated social and spiritual realities and to transform the Southland’s fractured terrains into musical Zions. Armed with beats, rhymes, and bibles, they journeyed through black Lutheran congregations, prison ministries, African churches, reggae dancehalls, hip hop clubs, Nation of Islam meetings, and Black Lives Matter marches. Zanfagna’s fascinating ethnography provides a contemporary and unique view of black LA, offering a much-needed perspective on how music and religion intertwine in people’s everyday experiences. 2017-09-06 00:00:00 2020-04-01T13:26:43Z 2020-04-01T13:26:43Z 2017 book 635200 OCN: 1237651894 9780520968790 http://library.oapen.org/handle/20.500.12657/31193 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 635200.pdf University of California Press 10.1525/luminos.35 10.1525/luminos.35 72f3a53e-04bb-4d73-b921-22a29d903b3b 9780520968790 218 Oakland open access
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description In the 1990s, Los Angeles was home to numerous radical social and environmental eruptions. In the face of several major earthquakes and floods, riots and economic insecurity, police brutality and mass incarceration, some young black Angelenos turned to holy hip hop—a movement merging Christianity and hip hop culture—to “save” themselves and the city. Converting street corners to open-air churches and gangsta rap beats into anthems of praise, holy hip hoppers used gospel rap to navigate complicated social and spiritual realities and to transform the Southland’s fractured terrains into musical Zions. Armed with beats, rhymes, and bibles, they journeyed through black Lutheran congregations, prison ministries, African churches, reggae dancehalls, hip hop clubs, Nation of Islam meetings, and Black Lives Matter marches. Zanfagna’s fascinating ethnography provides a contemporary and unique view of black LA, offering a much-needed perspective on how music and religion intertwine in people’s everyday experiences.
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title_sort 635200.pdf
publisher University of California Press
publishDate 2017
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