631164.pdf
Ute Holl explores cinema as a cultural technique of trance, unconsciously transforming everyday spatio-temporal perception. The archaeology of experimental and anthropological cinema leads into psycho-physiological laboratories of the 19th century. Through personal and systematic catenations, avant...
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Amsterdam University Press
2017
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oapen-20.500.12657-313372021-11-04T14:06:36Z Cinema, Trance and Cybernetics Holl, Ute Media and Communications Consciousness Cybernetics Dziga Vertov Jean Rouch Physiology bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism Ute Holl explores cinema as a cultural technique of trance, unconsciously transforming everyday spatio-temporal perception. The archaeology of experimental and anthropological cinema leads into psycho-physiological laboratories of the 19th century. Through personal and systematic catenations, avant-garde filmmaking is closely linked to the emerging aesthetics of feedback in cybernetic models of the mind developed at the same time. Holl analyses three major fields of experimental and anthropological filmmaking: the Soviet avant-garde with Dziga Vertov and his background in Russian psycho-reflexology and theory of trance; Jean Rouch and his theory of cine-trance and the feed-back; and the New American Cinema with Maya Deren and Gregory Bateson conceptualising the organisation of time, space, movement and feedback trance in anthropological filmmaking. 2017-05-01 23:55:55 2020-03-27 15:48:21 2020-04-01T13:31:27Z 2020-04-01T13:31:27Z 2017-04-30 book 631164 OCN: 993581064 9789048523481 http://library.oapen.org/handle/20.500.12657/31337 eng application/pdf n/a 631164.pdf Amsterdam University Press 10.5117/9789089646682 100102 10.5117/9789089646682 dd3d1a33-0ac2-4cfe-a101-355ae1bd857a b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9789048523481 Knowledge Unlatched (KU) Amsterdam 100102 KU Select 2016 Front List Collection Knowledge Unlatched open access |
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English |
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Ute Holl explores cinema as a cultural technique of trance, unconsciously transforming everyday spatio-temporal perception. The archaeology of experimental and anthropological cinema leads into psycho-physiological laboratories of the 19th century. Through personal and systematic catenations, avant-garde filmmaking is closely linked to the emerging aesthetics of feedback in cybernetic models of the mind developed at the same time. Holl analyses three major fields of experimental and anthropological filmmaking: the Soviet avant-garde with Dziga Vertov and his background in Russian psycho-reflexology and theory of trance; Jean Rouch and his theory of cine-trance and the feed-back; and the New American Cinema with Maya Deren and Gregory Bateson conceptualising the organisation of time, space, movement and feedback trance in anthropological filmmaking. |
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Amsterdam University Press |
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2017 |
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1771297537828847616 |
