631090.pdf

"Anglo-Saxon ‘things’ could talk. Nonhuman voices leap out from the Exeter Book Riddles, telling us how they were made or how they behave. The Franks Casket is a box of bone that alludes to its former fate as a whale that swam aground onto the shingle, and the Ruthwell monument is a stone colum...

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Γλώσσα:English
Έκδοση: Manchester University Press 2017
Διαθέσιμο Online:http://www.manchesteruniversitypress.co.uk/9781526101105/
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spelling oapen-20.500.12657-313382022-04-26T12:26:54Z Nonhuman voices in Anglo-Saxon literature and material culture Paz, James beowulf material culture franks casket anglo-saxon middle ages exeter book aldhelm st cuthbert thing theory dream of the rood Grendel's mother Kingdom of Northumbria Old English Runes bic Book Industry Communication::2 Language qualifiers::2A Indo-European languages::2AB English::2ABA Anglo-Saxon bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSA Literary theory bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSB Literary studies: general::DSBB Literary studies: classical, early & medieval "Anglo-Saxon ‘things’ could talk. Nonhuman voices leap out from the Exeter Book Riddles, telling us how they were made or how they behave. The Franks Casket is a box of bone that alludes to its former fate as a whale that swam aground onto the shingle, and the Ruthwell monument is a stone column that speaks as if it were living wood, or a wounded body. In this book, James Paz uncovers the voice and agency that these nonhuman things have across Anglo-Saxon literature and material culture. He makes a new contribution to ‘thing theory’ and rethinks conventional divisions between animate human subjects and inanimate nonhuman objects in the early Middle Ages. Anglo-Saxon writers and craftsmen describe artefacts and animals through riddling forms or enigmatic language, balancing an attempt to speak and listen to things with an understanding that these nonhumans often elude, defy and withdraw from us. But the active role that things have in the early medieval world is also linked to the Germanic origins of the word, where a þing is a kind of assembly, with the ability to draw together other elements, creating assemblages in which human and nonhuman forces combine.  Nonhuman voices in Anglo-Saxon literature and material culture invites us to rethink the concept of voice as a quality that is not simply imposed upon nonhumans but which inheres in their ways of existing and being in the world. It asks us to rethink the concept of agency as arising from within groupings of diverse elements, rather than always emerging from human actors alone." 2017-05-01 23:55:55 2019-12-03 08:32:13 2020-04-01T13:31:30Z 2020-04-01T13:31:30Z 2017 book 631090 OCN: 992562058 9781526115997 http://library.oapen.org/handle/20.500.12657/31338 eng Manchester Medieval Literature and Culture application/pdf n/a 631090.pdf http://www.manchesteruniversitypress.co.uk/9781526101105/ Manchester University Press 10.26530/OAPEN_631090 10.26530/OAPEN_631090 6110b9b4-ba84-42ad-a0d8-f8d877957cdd a897f645-c917-4be8-a0db-e8b3f64cac47 9781526115997 248 University of Manchester open access
institution OAPEN
collection DSpace
language English
description "Anglo-Saxon ‘things’ could talk. Nonhuman voices leap out from the Exeter Book Riddles, telling us how they were made or how they behave. The Franks Casket is a box of bone that alludes to its former fate as a whale that swam aground onto the shingle, and the Ruthwell monument is a stone column that speaks as if it were living wood, or a wounded body. In this book, James Paz uncovers the voice and agency that these nonhuman things have across Anglo-Saxon literature and material culture. He makes a new contribution to ‘thing theory’ and rethinks conventional divisions between animate human subjects and inanimate nonhuman objects in the early Middle Ages. Anglo-Saxon writers and craftsmen describe artefacts and animals through riddling forms or enigmatic language, balancing an attempt to speak and listen to things with an understanding that these nonhumans often elude, defy and withdraw from us. But the active role that things have in the early medieval world is also linked to the Germanic origins of the word, where a þing is a kind of assembly, with the ability to draw together other elements, creating assemblages in which human and nonhuman forces combine.  Nonhuman voices in Anglo-Saxon literature and material culture invites us to rethink the concept of voice as a quality that is not simply imposed upon nonhumans but which inheres in their ways of existing and being in the world. It asks us to rethink the concept of agency as arising from within groupings of diverse elements, rather than always emerging from human actors alone."
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publisher Manchester University Press
publishDate 2017
url http://www.manchesteruniversitypress.co.uk/9781526101105/
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