| spelling |
oapen-20.500.12657-314682021-04-30T10:16:24Z Emerging Bodies Klein, Gabriele Noeth, Sandra Music Dance Choreography Media Psychoanalysis Gender Interculturalitity Imagination Body Arts Cultural Theory Theatre Studies bic Book Industry Communication::A The arts::AS Dance & other performing arts::ASD Dance The concept of 'worldmaking' is based on the idea that 'the world' is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing 'dance worlds': through artistic practice, discourse and media, choreographic form and dance material. The essays in this volume critically reflect the predominant topos of dance as something fleeting and ephemeral – an embodiment of the Other in modernity. Moreover, they demonstrate that there is more than just one universal 'world of dance', but rather a multitude of interrelated dance worlds with more emerging every day. 2017-03-01 23:55:55 2020-03-17 03:00:31 2020-04-01T13:36:22Z 2020-04-01T13:36:22Z 2011-10-15 book 627778 OCN: 900417396 9783839415962 http://library.oapen.org/handle/20.500.12657/31468 eng TanzScripte application/pdf n/a 627778.pdf transcript Verlag 10.14361/transcript.9783839415962 100474 10.14361/transcript.9783839415962 b30a6210-768f-42e6-bb84-0e6306590b5c b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9783839415962 Knowledge Unlatched (KU) Bielefeld, Germany 100474 KU Select 2016 Backlist Collection Knowledge Unlatched open access
|
| description |
The concept of 'worldmaking' is based on the idea that 'the world' is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing 'dance worlds': through artistic practice, discourse and media, choreographic form and dance material. The essays in this volume critically reflect the predominant topos of dance as something fleeting and ephemeral – an embodiment of the Other in modernity. Moreover, they demonstrate that there is more than just one universal 'world of dance', but rather a multitude of interrelated dance worlds with more emerging every day.
|
