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oapen-20.500.12657-320372022-04-26T11:19:02Z Painting and Publishing as Cultural Industries Rasterhoff, Clara economic history economic geography dutch golden age art market publishing economic history economic geography dutch golden age art market publishing Amsterdam Haarlem Leiden Netherlands bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACQ History of art & design styles: c 1600 to c 1800 The Dutch Republic was a cultural powerhouse in the modern era, producing lasting masterpieces in painting and publishing-and in the process transforming those fields from modest trades to booming industries. This book asks the question of how such a small nation could become such a major player in those fields. Claartje Rasterhoff shows how industrial organisations played a role in shaping patterns of growth and innovations. As early modern Dutch cultural industries were concentrated geographically, highly networked, and institutionally embedded, they were able to reduce uncertainty in the marketplace and stimulate the commercial and creative potential of painters and publishers-though those successes eventually came up against the limits of a saturated domestic market and an aversion to risk on the part of producers that ultimately brought an end to the boom. 2019-12-10 14:46:32 2020-04-01T13:56:43Z 2016-11-08 23:55 2019-12-10 14:46:32 2020-04-01T13:56:43Z 2016-12-31 23:55:55 2019-12-10 14:46:32 2020-04-01T13:56:43Z 2020-04-01T13:56:43Z 2016 book 619592 OCN: 1030817663 9789089647023 http://library.oapen.org/handle/20.500.12657/32037 eng Amsterdam Studies in the Golden Age application/pdf n/a 619592.pdf Amsterdam University Press 10.5117/9789089647023 10.5117/9789089647023 dd3d1a33-0ac2-4cfe-a101-355ae1bd857a da087c60-8432-4f58-b2dd-747fc1a60025 9789089647023 Dutch Research Council (NWO) 352 Nederlandse Organisatie voor Wetenschappelijk Onderzoek Netherlands Organisation for Scientific Research open access
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OAPEN
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English
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The Dutch Republic was a cultural powerhouse in the modern era, producing lasting masterpieces in painting and publishing-and in the process transforming those fields from modest trades to booming industries. This book asks the question of how such a small nation could become such a major player in those fields. Claartje Rasterhoff shows how industrial organisations played a role in shaping patterns of growth and innovations. As early modern Dutch cultural industries were concentrated geographically, highly networked, and institutionally embedded, they were able to reduce uncertainty in the marketplace and stimulate the commercial and creative potential of painters and publishers-though those successes eventually came up against the limits of a saturated domestic market and an aversion to risk on the part of producers that ultimately brought an end to the boom.
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Amsterdam University Press
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2019
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1771297383725924352
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