611670.pdf
There is a tension between the requirements of theoretical abstraction and the capacities of the film medium, where everything that we see on screen is concrete: A train arriving at a station, a tree, bodies, faces. Since the complex theories of montage in Soviet cinema, however, there have continuo...
| Γλώσσα: | English |
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| Έκδοση: |
Amsterdam University Press
2016
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