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oapen-20.500.12657-323782022-04-26T11:19:00Z Cinema against Spectacle: Technique and Ideology Revisited Comolli, Jean-Louis cahiers du cinéma ideology cinema and politics film theory film history André Bazin Depth of field Paris bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism Jean-Louis Comolli’s six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli’s activity as both a theorist and a filmmaker. 2016-12-31 23:55:55 2019-12-10 14:46:32 2020-04-01T14:07:43Z 2020-04-01T14:07:43Z 2015 book 611591 OCN: 1030822478 9789089645548 http://library.oapen.org/handle/20.500.12657/32378 eng Film Theory in Media History application/pdf n/a 611591.pdf Amsterdam University Press 10.5117/9789089645548 10.5117/9789089645548 dd3d1a33-0ac2-4cfe-a101-355ae1bd857a 9789089645548 348 open access
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Jean-Louis Comolli’s six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli’s activity as both a theorist and a filmmaker.
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