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oapen-20.500.12657-32689
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oapen-20.500.12657-326892021-11-12T16:23:38Z Don’t Be Quiet, Start a Riot! Essays on Feminism and Performance Rosenberg, Tiina queer opera activist performance feminist performance feminist theatre queer diva voice Éditions Gallimard Lohengrin (opera) Tintomara (film) bic Book Industry Communication::A The arts::AF Art forms::AFK Non-graphic art forms::AFKP Performance art bic Book Industry Communication::A The arts::AN Theatre studies bic Book Industry Communication::A The arts::AV Music bic Book Industry Communication::A The arts::AV Music::AVG Music: styles & genres::AVGC Western "classical" music::AVGC9 Opera bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSK Gay & Lesbian studies::JFSK1 Lesbian studies This collection of essays investigates elements of the human voice and performance, and their implications for gender and sexuality. The chapters address affect, pleasure, and memory in the enjoyment of musical and theatrical performance. Rosenberg also examines contemporary feminist performance, anti-racist interventions, activist aesthetics, and political agency especially with regard to feminist and queer interpretations of opera and theatre. She contextualizes her work within broader developments in gender and queer studies, and within the feminist movement by highlighting important contributions of artists who draw from the above to create performance. The book will be welcomed by opera and theatre lovers, students, academics, and the wider public that is interested in the performing arts and its queer feminist potential. 2016-12-31 23:55:55 2018-06-26 00:00:00 2020-04-01T14:16:41Z 2020-04-01T14:16:41Z 2016 book 609910 OCN: 1030820284 2002-3227 9789176350201;9789176350218;9789176350225 http://library.oapen.org/handle/20.500.12657/32689 eng Stockholm Studies in Culture and Aesthetics application/pdf Attribution 4.0 International 609910.pdf https://doi.org/10.16993/baf Stockholm University Press 10.16993/baf 10.16993/baf 8137467e-e537-45b2-b1c8-94fc2574b729 1aad3525-fb4a-4a9c-b304-424fd03864d5 9789176350201;9789176350218;9789176350225 1 264 Stockholm, Sweden Royal Swedish Academy of Sciences Kungl. Vetenskapsakademien open access
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OAPEN
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DSpace
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English
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| description |
This collection of essays investigates elements of the human voice and performance, and their implications for gender and sexuality. The chapters address affect, pleasure, and memory in the enjoyment of musical and theatrical performance. Rosenberg also examines contemporary feminist performance, anti-racist interventions, activist aesthetics, and political agency especially with regard to feminist and queer interpretations of opera and theatre. She contextualizes her work within broader developments in gender and queer studies, and within the feminist movement by highlighting important contributions of artists who draw from the above to create performance. The book will be welcomed by opera and theatre lovers, students, academics, and the wider public that is interested in the performing arts and its queer feminist potential.
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| title |
609910.pdf
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| spellingShingle |
609910.pdf
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| title_short |
609910.pdf
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| title_full |
609910.pdf
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| title_fullStr |
609910.pdf
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| title_full_unstemmed |
609910.pdf
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| title_sort |
609910.pdf
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| publisher |
Stockholm University Press
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| publishDate |
2016
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| url |
https://doi.org/10.16993/baf
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| _version_ |
1771297623222779904
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